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| Author | Mombelet, Alexis; Ferrand, Laure | ||||
| Title | Musiques rock et metal : regards et perspectives des sciences humaines et sociales | Type | Journal Article | ||
| Year | 2012 | Publication | Societes | Abbreviated Journal | |
| Volume | 117 | Issue | 3 | Pages | 5-13 |
| Keywords | Methodology; Metal Studies; Theory | ||||
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| Language | fr | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 0765-3697 | ISBN | Medium | ||
| Area | Expedition  |
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ mombelet_musiques_2012 | Serial | 1702 | ||
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| Author | Pichler, Peter; Béra, Camille; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco (eds) | ||||
| Title | Meta/Metal: Open Questions in Metal Studies | Type | Book Whole | ||
| Year | 2025 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 300 | ||
| Keywords | interdisciplinarity, musicking, theory, practice | ||||
| Abstract | “Metal Studies is a 'booming' research field that has gained tremendous momentum in recent years. In this field, Heavy Metal is studied both as a cultural practice and as a musical genre. However, many of the most urgent conceptual questions have remained unanswered – especially those that lie outside the research interests of the founding disciplines of Metal Studies. This first volume of the book series 'Meta/Metal' tries to answer some of these questions. The book brings together contributions by leading scholars and young experts, each of which responds to one of the conceptual desiderata that have so far arisen in Metal Studies. All contributions share a commitment to combining basic research with empirical accuracy in this research field.” SOURCE: https://shop.kohlhammer.de | ||||
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| Publisher | Kohlhammer Verlag | Place of Publication | Stuttgart, Baden-Württemberg, Germany | Editor | Pichler, Peter; Béra, Camille; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg ; Swiniartzki, Marco |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Meta/Metal | Abbreviated Series Title | ||
| Series Volume | 1 | Series Issue | Edition | ||
| ISSN | ISBN | 9783170434585; 3170434586 | Medium | Paperback | |
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2764 | ||
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| Author | Pichler, Peter | ||||
| Title | Is metal (still) a subculture? Considerations from the perspective of cultural history | Type | Journal Article | ||
| Year | 2023 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 9 | Issue | 3 | Pages | |
| Keywords | Identity; Theory | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2739 | ||
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| Author | Sarkar, Debarun | ||||
| Title | Becoming topological of heavy metal: Notes from India | Type | Journal Article | ||
| Year | 2023 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 9 | Issue | 3 | Pages | 343-349 |
| Keywords | Sociology; Theory | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2736 | ||
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| Author | Gutiérrez Torrico, Daniela Adriana | ||||
| Title | El underground en el marco de la Industria Cultural: Una lectura del metal extremo desde la Teoría Crítica | Type | Book Chapter | ||
| Year | 2024 | Publication | La fuerza, influencia y tensiones de las mujeres del underground/metal boliviano | Abbreviated Journal | |
| Volume | Issue | Pages | 29-50 | ||
| Keywords | Gender; Bolivia; Extreme metal; Theory; Cultural Industry | ||||
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| Publisher | Special Issue of Perspectivas y Resistencias Musicales 2 (2) | Place of Publication | Editor | Saavedra, Milen; Tapia, Reynaldo | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2655 | ||
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| Author | Walch, Florian | ||||
| Title | Extreme Metal Across the Digital Divide: Music, Technology, Genre | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 301 | ||
| Keywords | analog; analysis; digital; extreme metal; genre; media; music history; music theory | ||||
| Abstract | This dissertation examines how the analog-digital transition influenced the development of extreme metal, interpreting its present obsession with fine sub-generic distinctions and “old-school” revivals of analog aesthetics as a means of coping with an uneasy dependence on digital media. While extreme metal’s values developed in analog networks, its transcendence of aural and bodily limits required digital prostheses. The digital divide in accessing these contested technologies structured extreme metal’s system of subgenres, which—like the remembered inconveniences of the past—memorialize now-lost resistances. This dissertation’s arc is conceptual and chronological. Its introduction and conclusion frame its inquiry with present concerns, while the inner chapters are case studies that progress from undifferentiated analog beginnings in the 1980s to sub-generic crystallization up to the arrival of the digital audio workstation in the mid-1990s. Using archival materials, newly conducted interviews, and close readings of musical records, these case studies put vernacular theories into dialog with discourses drawn from the musicology of record production, music theory, and critical theory. Ultimately, these constellations aim to articulate a constitutive relationship between what it means to analyze, make, and enjoy popular music. This dissertation’s contributions are twofold. First, it provides models for the analysis of popular music grounded in the historically conditioned values of an aesthetic community—and how these values are adapted to disruptions. Second, this dissertation argues that (sub-)genre, as the promise of being able to repeat (increasingly narrow) aesthetic experiences, requires technologies that make this repetition possible—at least in fantasy. The Introduction uses ethnographic vignettes to establish the contemporary importance of sub-genre and nostalgia. Chapter 1 asks why pioneering musicians can claim to have heard extreme metal before it existed, by manipulating the time-axis of existing records on tape or vinyl players. This fetish-like objectification of creativity reflects a disavowal of subjective creativity. Chapter 2 analyzes death metal drumming’s labor theory of value, demonstrating why digital drum sample replacement was both essential and intolerable for the development of the prized blast beat, which was valued as concrete time, but measured as abstract time. An Interlude examines how moral panics around backmasking let horror-inspired album introductions transmit different messages to insiders and outsiders. Chapter 3 reconstructs the digital-analog assemblage Morrisound Studios used to create the signature hyper-real performance associated with death metal and explores how its aural trace made the digital divide audible. Chapter 4 argues that the death metal production aesthetic undermined the groove-based forms of grindcore, examining how former grindcore bands re-record their own songs in a death metal idiom. Chapter 5 contests the notion that black metal was only a return to an imagined analog past, analyzing it as a post-digital style that used the devaluation of human performance it critiqued in death metal to incorporate influences from electronic dance music. The Postlude returns to the present and considers what is at stake when resistances are lost to remediation. (source: Uchicago.edu) |
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | The University of Texas at San Antoniohicago | Place of Publication | Chicago, Illinois | Editor | |
| Language | English | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2604 | ||
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| Author | Jordan, Jamie Boddington; Herbst, Jan-Peter | ||||
| Title | Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres | Type | Journal Article | ||
| Year | 2023 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 9 | Issue | 1 | Pages | 27-58 |
| Keywords | Black Metal; Death Metal; Theory; Power Metal; Progressive Metal; Analysis; Harmony | ||||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2052-3998 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2448 | ||
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| Author | Lucas, Olivia R. | ||||
| Title | Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music | Type | Book Whole | ||
| Year | 2016 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Extreme metal; Loudness; Complexity; Musicology; Theory | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Harvard University | Place of Publication | Cambridge | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2385 | ||
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| Author | Sabbath, Juan | ||||
| Title | Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 | Type | Book Whole | ||
| Year | 2021 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 312 | ||
| Keywords | Music Genres & Styles; Heavy Metal; Literary Criticism; Semiotics & Theory; Essays; Interviews; Ethnomusicology; Blues music; Jazz; Punk; Rock music; Cultural & Social Anthropology; Sociology | ||||
| Abstract | El libro 'Bienvenidos al Sabbath' ofrece reflexiones en torno a la apreciación de la música metal y la vigencia del underground que contribuyen a la construcción de una teoría del metal. Además, recopila ensayos inéditos junto a una antología de las entrevistas, crónicas y reseñas sobre rock & metal hechas por el autor durante los últimos 20 años. | ||||
| Address | jcmendozacol@unal.edu.co | ||||
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| Publisher | Nixx Editores | Place of Publication | Sogamoso, Boyacá, Republic of Colombia | Editor | |
| Language | español | Summary Language | Original Title | ||
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| ISSN | ISBN | 9584944851, 9789584944856 | Medium | ||
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| Notes | Copyright owner: Juan Mendoza-Collazos; diseño de la portada: Nadia Jiménez B.; prólogo por Carlos Reina; prólogo por Manfred Navarro | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2373 | ||
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| Author | Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo (eds) | ||||
| Title | Música Extrema. Ruídos, imagens e sentidos | Type | Book Whole | ||
| Year | 2021 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Extreme Metal; Feminism; Ecology; Fanzines; Identity; Distribution; Theory | ||||
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| Publisher | Pimenta Cultural | Place of Publication | São Paulo | Editor | Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2355 | ||
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