| Home | << 1 2 3 >> |
|
| Records | |||||
|---|---|---|---|---|---|
Author  |
Anderton, Chris; Burns, Lori | ||||
| Title | Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal | Type | Book Chapter | ||
| Year | 2025 | Publication | The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination | Abbreviated Journal | |
| Volume | Issue | Pages | 1-14 | ||
| Keywords | Popular music; Cultural study of popular music; Songwriting & recording; Music arts; Literary studies; Music & society; Musicology; Heavy metal; Progressive rock | ||||
| Abstract | << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the Handbook. Karl Spracklen, PhD, AcSS Leeds Beckett University, Portland >> “This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes. The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal. The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society.” Source for both: https://www.routledge.com |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Oxfordshire, England | Editor | |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Routledge Music Handbooks | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1032340738; 978-1032340739 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2621 | ||
| Permanent link to this record | |||||
| Author |
Biamonte, Nicole; Cain, Jerry | ||||
| Title | The Tool Album as Gesamtkunstwerk | Type | Book Chapter | ||
| Year | 2025 | Publication | The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination | Abbreviated Journal | |
| Volume | Issue | Pages | 415-430 | ||
| Keywords | Tool (band); Popular Culture; Cultural study of popular music; Songwriting & recording; Music arts; Literary studies; Music & society; Musicology; Heavy metal; Progressive rock | ||||
| Abstract | << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the Handbook. Karl Spracklen, PhD, AcSS Leeds Beckett University, Portland >> “This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes. The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal. The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society.” Source for both: https://www.routledge.com |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Oxfordshire, England | Editor | Anderton, Chris; Burns, Lori |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Routledge Music Handbooks | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1032340738; 978-1032340739 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2634 | ||
| Permanent link to this record | |||||
| Author |
Burns, Lori | ||||
| Title | Kamelot’s Adaptation of Goethe’s Faust: Tragic Subjectivities in Power Metal | Type | Book Chapter | ||
| Year | 2025 | Publication | The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination | Abbreviated Journal | |
| Volume | Issue | Pages | 161-174 | ||
| Keywords | Popular music; Cultural study of popular music; Songwriting & recording; Music arts; Literary studies; Music & society; Musicology; Heavy metal; Progressive rock | ||||
| Abstract | << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the Handbook. Karl Spracklen, PhD, AcSS Leeds Beckett University, Portland >> “This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes. The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal. The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society.” Source for both: https://www.routledge.com |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Oxfordshire, England | Editor | Anderton, Chris; Burns, Lori |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Routledge Music Handbooks | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1032340738; 978-1032340739 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2624 | ||
| Permanent link to this record | |||||
| Author |
Coggins, Owen | ||||
| Title | “A Maze with Very Minimal Guiding Light, Thematically Slithering Between Worlds”: Black Metal, Progressive Rock, and Ambivalent Constellations of Imagination in Remmirath’s Shambhala Vril Saucers | Type | Book Chapter | ||
| Year | 2025 | Publication | The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination | Abbreviated Journal | |
| Volume | Issue | Pages | 244-256 | ||
| Keywords | Popular Culture; Cultural study of popular music; Songwriting & recording; Music arts; Literary studies; Music & society; Musicology; Heavy metal; Progressive rock | ||||
| Abstract | << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the Handbook. Karl Spracklen, PhD, AcSS Leeds Beckett University, Portland >> “This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes. The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal. The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society.” Source for both: https://www.routledge.com |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Oxfordshire, England | Editor | Anderton, Chris; Burns, Lori |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Routledge Music Handbooks | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1032340738; 978-1032340739 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2631 | ||
| Permanent link to this record | |||||
| Author |
Corral, Deborah Michelle Alvarado | ||||
| Title | Las Mujeres Músicas Metaleras: Arte, Poder y Crítica Social [Female Metal Musicians: Art, Power, and Social Criticism] | Type | Journal Article | ||
| Year | 2025 | Publication | VOCES Y SABERES | Abbreviated Journal | |
| Volume | 5 | Issue | 13 | Pages | 88-97 |
| Keywords | |||||
| Abstract | El metal es una representación musical que se considera un arte. A pesar de que su forma y contenido contrastan con la concepción de lo que se considera “bello”, este género siempre ha estado rodeado de ritos y costumbres que delimitan la categoría del ser metalero y excluyen a todos aquellos que no cumplan con las características mínimas para ser considerados parte de ese mundo.Como arte, el metal representa múltiples problemáticas sociales, incluyendo el contexto en el que se gesta. Es por esa razón que se le llama de esa forma, pues hace alusión a la industria metalúrgica que predominaba en Birmingham, Inglaterra, la cuna del género: Tommy Iommi guitarrista de Black Sabbath y a quien se le atribuye la invención del metal, trabajaba en una empresa de ese giro. [Metal is a musical representation considered an art form. Although its form and content contrast with the concept of what is considered “beautiful,” this genre has always been surrounded by rituals and customs that delimit the category of being a metalhead and exclude all those who do not meet the minimum requirements to be considered part of that world. As an art form, metal represents multiple social issues, including the context in which it is created. It is for this reason that it is called that, as it alludes to the metal industry that predominated in Birmingham, England, the birthplace of the genre. Tommy Iommi, Black Sabbath guitarist and credited with inventing metal, worked in a company in that field.] (SOURCE: https://vocesysaberes.aragon.unam.mx/index.php/RAVS/article/view/115) |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | la Universidad Nacional Autónoma de México [National Autonomous University of Mexico] | Place of Publication | Coyoacán, Mexico City | Editor | Zaldivar, María Elena Jiménez |
| Language | Spanish | Summary Language | Original Title | ||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | 3061-7561 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2773 | ||
| Permanent link to this record | |||||
| Author |
Damon, Julien | ||||
| Title | Sacré metal : étude d’un genre | Type | Journal Article | ||
| Year | 2025 | Publication | Études | Abbreviated Journal | |
| Volume | 2025 | Issue | 1 | Pages | 95-105 |
| Keywords | Religion | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Place of Publication | Editor | |||
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2758 | ||
| Permanent link to this record | |||||
| Author |
Eckerström, Pasqualina | ||||
| Title | The unintended consequences of state-enforced religion: 'blasphemous' metal music as secondary deviation in Iran | Type | Book Whole | ||
| Year | 2025 | Publication | Religion | Abbreviated Journal | |
| Volume | 55 | Issue | 1 | Pages | |
| Keywords | Blasphemy; Iran; Islam | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Place of Publication | Editor | |||
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2746 | ||
| Permanent link to this record | |||||
| Author |
Fejes, János | ||||
| Title | “Enuma Elish is Re-written”: A Quantitative Survey of Mesopotamian Mythology’s Reception in Metal Lyrics | Type | Book Chapter | ||
| Year | 2025 | Publication | The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination | Abbreviated Journal | |
| Volume | Issue | Pages | 204-214 | ||
| Keywords | Popular Culture; Cultural study of popular music; Songwriting & recording; Music arts; Literary studies; Music & society; Musicology; Heavy metal; Progressive rock | ||||
| Abstract | << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the Handbook. Karl Spracklen, PhD, AcSS Leeds Beckett University, Portland >> “This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes. The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal. The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society.” Source for both: https://www.routledge.com |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Oxfordshire, England | Editor | Anderton, Chris; Burns, Lori |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Routledge Music Handbooks | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1032340738; 978-1032340739 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2626 | ||
| Permanent link to this record | |||||
| Author |
Girard-Despraulex, Elise | ||||
| Title | Storytelling, Narrative, and Coherence in Avatar’s “Feathers and Flesh (In His Own Words)” (2027) | Type | Book Chapter | ||
| Year | 2025 | Publication | The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination | Abbreviated Journal | |
| Volume | Issue | Pages | 315-326 | ||
| Keywords | Avatar (Sweden); Popular Culture; Cultural study of popular music; Songwriting & recording; Music arts; Literary studies; Music & society; Musicology; Heavy metal; Progressive rock; Storytelling | ||||
| Abstract | << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the Handbook. Karl Spracklen, PhD, AcSS Leeds Beckett University, Portland >> “This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes. The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal. The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society.” Source for both: https://www.routledge.com |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Oxfordshire, England | Editor | Anderton, Chris; Burns, Lori |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Routledge Music Handbooks | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1032340738; 978-1032340739 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2633 | ||
| Permanent link to this record | |||||
| Author |
Golovin, Aleksandar | ||||
| Title | Royal Hunt’s Adaptation of Ray Bradbury’s Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music | Type | Book Chapter | ||
| Year | 2025 | Publication | Abbreviated Journal | ||
| Volume | Issue | The Routledge Handbook of Progressive Rock, Metal, | Pages | Chapter 12 | |
| Keywords | Popular music; Cultural study of popular music; Songwriting & recording; Music arts; Literary studies; Music & society; Musicology; Heavy metal; Progressive rock | ||||
| Abstract | << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the Handbook. Karl Spracklen, PhD, AcSS Leeds Beckett University, Portland >> “This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes. The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal. The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society.” Source for both: https://www.routledge.com |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Oxfordshire, England | Editor | Anderton, Chris; Burns, Lori |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Routledge Music Handbooks | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1032340738; 978-1032340739 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2623 | ||
| Permanent link to this record | |||||