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Barratt-Peacock, R. (2025). The figure of the child in metal music: Preliminary findings on form and function. Metal Music Studies, 11(2), 217–237.
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Barratt-Peacock, R. (2022). Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour. Metal Music Studies, 8(3), 293–308.
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Barratt-Peacock, R. (2019). The Villon that Never Was. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 157–170). London: Emerald.
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Barratt-Peacock, R. (2015). Medieval Metal and Temporal Dislocation in the Construction of Alternative Identities in the Contemporary German Reenactment Scene. Ph.D. thesis, Friedrich-Schiller-Universität Jena, Jena.
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Barratt-Peacock, R., & Hagen, R. (Eds.). (2019). Medievalism and Metal Music Studies: Throwing down the gauntlet. London: Emerald.
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Barratt-Peacock, R., Hagen, R., & Gardenour Walter, B. S. (2019). Finding the Past in the Present and the Present in the Past. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 137–144). London: Emerald.
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Barratt-Peacock, R., & Herbst, J. - P. (2025). The effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach. Metal Music Studies, 11(1), 65–89.
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