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Berger, H. M. (2006). ”Aspects du death metal”. Affect, objet et vécu social de la musique. Volume! La revue des musiques populaires, 5(2), 31–51.
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Berger, H. M. (1999). Metal, rock, and jazz: perception and the phenomenology of musical experience. Delaware: Wesleyan University Press.
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Berger, H. M. (1999). Death metal tonality and the act of listening. Popular Music, 18(2), 161–178.
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Berger, H. M. (1997). The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer. Ethnomusicology; Champaign, 41(3), 464–488.
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Berger, H. M., & Fales, C. (2005). ”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features. In P. D. Greene, & T. Porcello (Eds.), Wired for sound: engineering and technologies in sonic cultures (pp. 181–197). Middletown: Wesleyan University Press.
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Wallach, J., Berger, H. M., & Greene, P. D. (2011). Affective overdrive, scene dynamics, and identity in the global metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 3–33). Durham: Duke University Press.
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Wallach, J., Berger, H. M., & Greene, P. D. (Eds.). (2011). Metal rules the globe: heavy metal music around the world. Durham: Duke University Press.
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