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Barratt-Peacock, R., & Herbst, J. - P. (2025). The effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach. Metal Music Studies, 11(1), 65–89.
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Herbst, J. - P. (2026). Martin Birch – Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk2 Albums. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 209–231). Sheffield: Equinox Publishing.
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Herbst, J. - P. (2022). “Keeper of the Seven Keys”: Audio heritage in metal music production. Metal Music Studies, 8(1), 109–126.
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Herbst, J. - P. (2021). Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers. Metal Music Studies, 7(3), 445–467.
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Herbst, J. - P. (2021). Nail the Mix: Standardization in Mixing Metal Music? Popular Music and Society, t.b.c..
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Herbst, J. - P. (2021). (No?) Adventures in Recording Land: Engineering Conventions in Metal Music. Rock Music Studies, t.b.c..
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Herbst, J. - P. (2020). From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal. Metal Music Studies, 6(1), 87–108.
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Herbst, J. - P. (2019). Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives. Metal Music Studies, 5(1), 53–69.
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Herbst, J. - P. (2019). The formation of the West German power metal scene and the question of a ‘Teutonic’ sound. Metal Music Studies, 5(2), 201–223.
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Herbst, J. - P. (2018). Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4(1), 95–113.
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