|
Shadrack, J. H. (2026). “Where Nightshade Black and Mandrake Grow”. Dōloŭr as Black Metal Witchcraft, Our Strategy of Resistance. In J. H. Shadrack, & F. Stevens (Eds.), Women and Femme Voices in Metal Music, Culture, and Scholarship. Feminist Strategies of Resistance (pp. 127–142). London: Rouledge.
|
|
Shadrack, J. H. (2020). Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss. Bingley: Emerald.
|
|
Jiggens, R., & Shadrack, J. H. (2024). Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 38–51). Bristol: Intellect.
|
|
Shadrack, J. H., & Kahn-Harris, K. (2024). Heavy Metal and Disability. Crips, Crowds, and Cacophonies.
|
Banchs, E., Bardine, B. A., Chilewska, A., Cintrón-Gutiérrez, L. J., Hagen, R., Madera, S. R., et al. (2023). On Extremity: From Music to Images, Words, and Experiences (N. Varas-Díaz, B. Bardine, & & N. W. R. Scott, Eds.). Extreme Sounds Studies: Global Socio-Cultural Explorations. Lexington Books.
Abstract: “On Extremity: From Music to Images, Words, and Experiences brings together transdisciplinary scholarship on sounds, images, words, and experiences (human and non-human) to reflect on the polysemic and polymorphic characteristics of extremity and the category of the extreme. The editors and authors aim to contribute to a living, breathing, and expanding definition of extremity that helps us understand what we gain, or lose, when we interact with it, create it, and share it with, or force it upon, others. The volume calls for the emergence of “extremity studies” as an area of perusal to help us navigate our current global condition.”
(source: Amazon.com)
|
|
Shadrack, J. H., & Stevens, F. (Eds.). (2026). Women and Femme Voices in Metal Music, Culture, and Scholarship. Feminist Strategies of Resistance. London: Routledge.
|
