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Hoad, C. (2025). A retrospective of Laina Dawes’s “What Are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal”. Metal Music Studies, 11(2), 175–178.
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Hudson, S. S. (2025). A retrospective of “Running with the Devil” by Robert Walser. Metal Music Studies, 11(2), 117–120.
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Kirkmeyer, B. (2025). A retrospective of Ian Christe’s “Sound of the Beast: The Complete Headbanging History of Heavy Metal”. Metal Music Studies, 11(2), 131–134.
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Klypchak, B. (2025). Memoir-ish reflections on “Please Kill Me: The Uncensored History of Punk”. Metal Music Studies, 11(2), 121–125.
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Miguel, D. (2025). A reflection on Esa Lilja’s “Theory and Analysis of Classic Heavy Metal Harmony”. Metal Music Studies, 11(2), 149–152.
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Smialek, E. (2025). Recent dissertations in the analysis of metal genres: Foundational texts for the future. Metal Music Studies, 11(2), 197–202.
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Snyder, L. O. (2025). A reflection on Julie Turley and Joan Jocson-Singh’s “Heavy Music Mothers: Extreme Identities, Narrative Disruptions”. Metal Music Studies, 11(2), 193–196.
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Thomson, A. (2025). On the road to heaviness: A retrospective of Dan Franklin’s “Heavy”. Metal Music Studies, 11(2), 183–186.
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Vidal, H. (2025). A retrospective of Nicola Masciandaro’s “Hideous Gnosis: Black Metal Theory Symposium I”. Metal Music Studies, 11(2), 153–156.
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Wallach, J. (2025). Eggheadbanger classic: A reflection on Keith Kahn-Harris’s “Extreme Metal: Music and Culture on the Edge”. Metal Music Studies, 11(2), 139–142.
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