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Moberg, M. (2009). Faster for the master! : exploring issues of religious expression and alternative Christian identity within the Finnish Christian metal music scene. Helsinki: Åbo Akademis förlag.
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Moberg, M. (2010). Turn or burn? The peculiar case of Christian metal music. In N. Scott (Ed.), The metal void: first gatherings (pp. 367–380). Oxford: Inter-Disciplinary Press.
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Moberg, M. (2012). Portrayals of the End Times, the Apocalypse, and the Last Judgment in Christian Metal Music. In C. Partridge (Ed.), Anthems of Apocalypse: Popular Music and Apocalyptic Thought. Sheffield: Sheffield Phoenix Press.
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Moberg, M. (2012). Turn or burn? The peculiar case of Christian metal music. In N. Scott (Ed.), Reflections in the Metal Void (pp. 49–68). Oxford: Inter-Disciplinary Press.
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Moberg, M. (2013). The ‘double controversy’ of Christian metal. In T. Hjelm, K. Kahn-Harris, & M. LeVine (Eds.), Heavy metal: controversies and countercultures (pp. 83–97). Bristol: Equinox.
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Moberg, M. (2015). Christian metal: history, ideology, scene. London, New Dehli, New Yoirk & Sydney: Bloomsbury Publishing.
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Moreira, J. G. da S. (2013). Headbangers na Igreja: O nascimento da cena do Metal Cristão na cidade de Fortaleza com a chegada do CMF (Christian Metal Force) 1999/2001. Ph.D. thesis, Universidade Estadual do Ceará, Fortaleza.
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Pneuma, E. (2014). White metal: du bruit pour l’homme en croix. Rosières-en-Haye: Camion blanc.
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Rademacher, H. E. (2015). ’Men of iron will’: Idealized gender in Christian heavy metal. Social Compass, 62(4), 632–648.
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Schubert, K. (2016). ”Eine christliche Alternative?” Über den Transfer von Musik und die Modifikation religiöser Inhalte im christlichen Heavy Metal. In N. Penke, & M. Teichert (Eds.), Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen (pp. 183–204). Baden-Baden: Nomos.
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