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Wallach, J., Berger, H. M., & Greene, P. D. (2011). Affective overdrive, scene dynamics, and identity in the global metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 3–33). Durham: Duke University Press.
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Spracklen, K. (2019). Afterword. Being Metal, Being Australian? Reflections and an Afterword. In C. Hoad (Ed.), Australian Metal Music (pp. 145–148). London: Emerald.
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Calvo, M. B. (2016). Almafuerte: Metal pesado argento and its construction of Argentinian nationalism. Metal Music Studies, 2(1), 21–38.
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Rivera-Segarra, E., Varas-Díaz, N., Mendoza, S., & Díaz, X. (2018). Ancestral morbid fascinations: Reformulating local culture through metal music in Puerto Rico. Metal Music Studies, 4(1), 175–186.
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Pelayo, M. P. (2021). Building “communitas” through symbolic performances: Mexican metal and the case of Cemican. Metal Music Studies, 7(1), 139–148.
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Herbst, J. - P. (2021). Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers. Metal Music Studies, 7(3), 445–467.
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Williams, D., & Da Rocha, M. A. (2017). Decoding cultural signifiers of Brazilian identity and the African diaspora from the music of Sepultura. Metal Music Studies, 3(1), 145–152.
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Downing, D. (2012). Defending the Realm: National Identity, Heritage and Nationalism in Black Metal. Ph.D. thesis, Hull College, Hull.
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Calvo, M. (2014). Diálogos que construyen un modo de nacionalismo argentino en el metal pesado argento de Almafuerte. In M. C. Dalmagro, & A. Parfeniuk (Eds.), Tensiones, tránsitos y desplazamientos. Reflexiones desde una perspectiva comparatística (pp. 120–137). Córdoba: Buena Vista Editores.
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Walzer, N. (2010). Du paganisme ? Nietzsche : se construire dans le Metal. Rosières-en-Haye: Camion blanc.
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