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Mojica Ávila, I. F. (2021). Las presencias de la muerte: ficciones de lo real. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 10–18). Buenos Aires: Clara Beter Ediciones.
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Morton, T. (2013). At the edge of the smoking pool of death: Wolves in the Throne Room. Helvete: A Journal of Black Metal Theory, 1, 21–29.
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Mudrian, A. (2004). Choosing Death: The Improbable History of Death Metal & Grindcore. Los Angeles: Feral House.
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Mudrian, A. (Ed.). (2020). The Decibel Hall of Fame Anthology: Volume III. dB Books.
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Muller, F. (2024). Cemetery meditations and Morbid Visions: death metal as a spiritual exercise. Culture and Religion An Interdisciplinary Journal, Latest Articles.
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Netherton, J. (2014). Extremity Retained: Notes From the Death Metal Underground. London: Handschake.
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Netherton, J. (2015). Extremity Reframed: Exhuming Death Metal’S Analog Origins. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 309–318). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Olsen, K. N., Thompson, W. F., & Giblin, I. (2018). Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music. Music Perception; Berkeley, 35(5).
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Osborne, T. (2025). Keys to Hell: Synthesizers from Early Death Metal to Deathcore. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 287–306). Abingdon; New York: Routledge.
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Pack, C. (2017). Invocando a las Tinieblas – Hitler, Heavy Metal and Contemporary Death Sqauds in El Salvador.pdf. Baltimore.
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