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Vasan, S. (2011). The Price of Rebellion: Gender Boundaries in the Death Metal Scene. Journal for Cultural Research, 15(3), 333–349.
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Viol, P. (2015). Virtuose Affirmation des Todes, Brutal Death Metal als Utopieverzicht gewordene Form des Heavy Metals. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 11–16). Trier: Wvt.
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Yavuz, M. S. (2017). ‘Delightfully depressing’: Death/doom metal music world and the emotional responses of the fan. Metal Music Studies, 3(2), 201–218.
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Yavuz, M. S. (2018). Reight Mardy Tykes: Northernness, Peaceville Three and Death/Doom Music World. In S. Holland, & K. Spracklen (Eds.), Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization (pp. 81–99). Emerald Studies in Alternativity and Marginalization. Emerald Publishing Limited.
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Zenerian, E. (2018). ‘Doing–listening’ with Deranged’s ”Struck by a Murderous Siege”: An auto-ethnography of death metal vinyl consumption. Metal Music Studies, 4(1), 115–130.
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Zuch, R. (2011). ”The Art of Dying” – Zu einigen Strukturelementen in der Metal-Ästhetik, vornehmlich in der Covergestaltung. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 71–85). Münster: Lit.
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