Beauchamp, C. (2021). Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework. Master's thesis, Concordia University, Montreal.
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Barchi, R. (Ed.). (2021). Diálogos com a música extrema. editorafi.org.
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González Hernández, J. O. (2021). Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia. Metal Music Studies, 7(1), 119–128.
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Olsem Kirk N., Powell, M., Anic, A., Vallerand, R. J., & Thompson, W. F. (2020). Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience. Musicae Scientiae, OnlineFirst.
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Chowenhill, R. (2020). Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion. Ph.D. thesis, Brandeis University, Waltham.
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