|
Apaza Terceros, C. J.(J.). (2024). Chicas heavies: La mujer músico en el metal boliviano. In M. Saavedra, & R. Tapia (Eds.), La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano (pp. 99–134). Special Issue of Perspectivas y Resistencias Musicales 2 (2).
|
|
Çelikel Soğancı, H. F. (2026). Alien Sounds Versus Endemic Sounds. Women's Presence in Metal Bands. In J. H. Shadrack, & F. Stevens (Eds.), Women and Femme Voices in Metal Music, Culture, and Scholarship. Feminist Strategies of Resistance (pp. 20–33). London: Routledge.
|
|
Shadrack, J. H., & Stevens, F. (Eds.). (2026). Women and Femme Voices in Metal Music, Culture, and Scholarship. Feminist Strategies of Resistance. London: Routledge.
|
|
Stemland, N. E. (2025). Hitting the Right Note of Equality – A discourse analysis of inclusivity and the position of female musicians in the Norwegian metal scene. Master's thesis, Norwegian University of Science and Technology, Trondheim.
|
|
Welles, P. (2024). Heavy Metal als (Frauen-)Beruf und Bildungsprozess. Magazin erwachsenenbildung.at. Das Fachmedium für Forschung, Praxis und Diskurs, 51, 123–131.
|
