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Lehmann, M., & Kopiez, R. (2011). Der Einfluss der Bühnenshow auf die Bewertung der Performanz von Rockgitarristen. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 183–194). Münster: Lit.
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Mccombe, J. (2016). Authenticity, artifice, ideology: Heavy metal video and MTV’s ‘Second Launch’, 1983–1985. Metal Music Studies, 2(3), 405–411.
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Mertens, M. (2011). Medienästhetische Überlegungen zur Luftgitarre. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 225–241). Münster: Lit.
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Messick, K. J. (2021). Metal for the masses: How indie metal labels have adapted for the digital era. In V. Sarafian (Ed.), La route vers l'indépendance. L'industrie musicale en transition. Toulouse: Presses de l'Université Toulouse 1 Capitole.
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Messick, K. J. (2021). Music Industry in Crisis: the Impact Of a Novel Coronavirus on Touring Metal Bands, Promoters, and Venues. In V. Bozkurt, G. Dawes, H. Gülerce, & P. Westenbroek (Eds.), The Societal Impacts of Covid-19: A Transnational Perspective (pp. 93–108). Istanbul: Istanbul University Press.
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Minore, G. (2021). Producir metal. Autogestión, independencia, mainstream. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 27–32). Buenos Aires: Clara Beter Ediciones.
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Netherton, J. (2017). The entrepreneurial imperative: Recording artists in extreme metal music proto-markets. Metal Music Studies, 3(3), 369–386.
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Nohr, R. F., & Schwaab, H. (Eds.). (2011). ”Metal matters”. Heavy Metal als Kultur und Welt. Münster: Lit.
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Podoshen, J. S. (2018). Constructing black metal mythology for global monopoly: #ittakescourage. Metal Music Studies, 4(2), 375–380.
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Reis Alecrim, T. (2021). The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987). Master's thesis, Universidade de São Paulo, São Paulo.
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