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St-Laurent, M. - R., & Smialek, E. (2018). Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization. In C. Scotto, K. Smith, & J. Brackett (Eds.), The Routledge Companion to Popular Music Analysis: Expanding Approaches (pp. 378–399). Abingdon & New York: Routledge.
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Garza, J. M. (2021). Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music. Music Theory Online, 27(1).
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Rodkiewicz, M. (2020). Hand of Doom. Pozabluesowe źródła metalowego paradygmatu [Hand of Doom. Non-blues sources of the metal paradigm]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 134–145). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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Chowenhill, R. (2020). Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion. Ph.D. thesis, Brandeis University, Waltham.
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