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Citations
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Scott, N. W. R. (2012). Politics? Nah, fuck politics, man: what can we expect from metal gods? In N. Scott (Ed.), Reflections in the metal void (pp. 215–222). Oxford: Inter-Disciplinary Press.
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Scott, N. W. R. (2010). Politics? Nah, fuck politics, man: what can we expect from metal gods? In N. Scott (Ed.), The metal void: first gatherings (pp. 211–218). Oxford: Inter-Disciplinary Press.
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Skelchy, R. P. (2019). Worshippers of the sugarcane fields: Agrarian politics, symbolic inversion and black metal in Indonesia. Metal Music Studies, 5(2), 163–186.
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Spracklen, K. (2020). Metal Music and the Re imagining of Masculinity, Place, Race and Nation. London: Emerald.
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Spracklen, K. (2012). Too Old to Raise the Horns? Getting Older on the Metal Scene and the Politics of Intentionality: A Case Study of Second Generation Norwegian BM Bands. In K. Fellezs, & A. R. Brown (Eds.), Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture (pp. 77–87). Oxford: Inter-Disciplinary Press.
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Stoop, D. C. (2015). Germanen, Trolle und Nazis. Thematisierungen des Nationalen im Heavy Metal. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 33–48). Trier: Wvt.
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Stoop, D., & Bartosch, R. (2015). Metal und Politik. Verortungen zwischen Ideologie und Utopie. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 1–10). Trier: Wvt.
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Stoop, D., & Bartosch, R. (Eds.). (2015). (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie. Trier: Wvt.
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Švehla, M. (2023). Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation]. Bachelor's thesis, Univerzita Palackého v Olomouci, Olomouc.
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Swist, J. (2022). “Wolves of the Krypteia”: Lycanthropy and right-wing extremism in metal’s reception of ancient Greece and Rome. Metal Music Studies, 8(3), 309–325.
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