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Åshede, L., & Foka, A. (2019). Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 97–114). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Barajas, J. E. (2021). Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal.. Bogotá: Corporación Universitaria Minuto de Dios.
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Herbst, J. - P. (2019). The formation of the West German power metal scene and the question of a ‘Teutonic’ sound. Metal Music Studies, 5(2), 201–223.
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Holm, C. (2023). Power Metal – Tre låtar jämförs och genrekonventioner diskuteras [Comparing three songs and discussing genre conventions]. Bachelor's thesis, Linnéuniversitetet, Växjö.
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Jordan, J. B., & Herbst, J. - P. (2023). Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres. Metal Music Studies, 9(1), 27–58.
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Kaiser, M. (2016). Gender, Identity, and Power in Metal Music Scenes. Ph.D. thesis, Hampshire College, Hampshire.
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La Rocca, F. (2015). Gegen die Weltordnung. Politik und Ideologie im Power Metal. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 49–58). Trier: Wvt.
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Niebling, L. (2015). Viking Warriors. The Concept of Heroism in European Power Metal. In S. Bogumil-Notz (Ed.), Heroes anywhere and Forever From a German, Indian, and American Perspective (pp. 119–127). Berlin: Ch. A. Bachmann.
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Sharpe-Young, G. (2003). Rockdetector: A-Z of power metal. London: Cherry Red.
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Strauss, S. (2025). Song of the Siren, Cry of the Warrior: An Exploration of Song Structures and Female Vocal Techniques in Power Metal. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 327–340). Abingdon; New York: Routledge.
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