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Varas-Díaz, N., Mendoza, S., & Rivera, A. (2015). La cultura de la música heavy metal como fenómeno social. Boletín Asociación de Psicología de Puerto Rico, 38(1), 4–6.
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Vella, E. J., McDonough, C., & Goldstein, H. (2024). Musical mood induction: The relative influences of music type and the importance of music preference. Psychology of Music, 53(4), 523–534.
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Verden, P., Dunleavy, K., & Powers, C. H. (1989). Heavy metal mania and adolescent delinquency. Popular Music and Society, 13(1), 73–82.
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Vokey, J. R., & Read, J. D. (1985). Subliminal messages: Between the devil and the media. American Psychologist, 40(11), 1231–1239.
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Wallach, J., Berger, H. M., & Greene, P. D. (2011). Affective overdrive, scene dynamics, and identity in the global metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 3–33). Durham: Duke University Press.
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Wallin, J. (2012). On the Plains of Gorgoroth: Black Metal, Youth Culture, and the Psychoanalytic Question of Evil. Cultural Formations, 1, n.-p.
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Wanamaker, C. E., & Reznikoff, M. (1989). Effects of aggressive and nonaggressive rock songs on projective and structured tests. The Journal of Psychology, 123(6), 561–570.
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Wass, H., Miller, M. D., & Redditt, C. A. (1991). Adolescents and Destructive Themes in Rock Music: A Follow-Up. OMEGA – Journal of Death and Dying, 23(3), 199–206.
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Wass, H., Miller, M. D., & Stevenson, R. G. (1989). Factors affecting Adolescents’ behavior and attitudes toward destructive rock lyrics. Death Studies, 13(3), 287–303.
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Wass, H., Raup, J. L., Cerullo, K., Martel, L. G., Mingione, L. A., & Sperring, A. M. (1989). Adolescents’ Interest in and Views of Destructive Themes in Rock Music. OMEGA – Journal of Death and Dying, 19(3), 177–186.
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