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Trostle, L. C. (1986). Nihilistic Adolescents, Heavy Metal Rock Music, and Paranormal Beliefs. Psychological Reports, 59(2), 610.
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Trzcinski, J. (1992). Heavy metal kids: Are they dancing with the devil? Child and Youth Care Forum, 21(1), 7–22.
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Tzu-Han Cheng, & Chen-Gia Tsai. (2016). emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs. Frontiers in Psychology, 7, art. 182.
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Valdés Vivas, E. (2007). Heavy Metal: die Musik im Kontext von soziologischen und psychologischen Forschungsgebieten. Ph.D. thesis, Universität für Musik und darstellende Kunst, Vienna.
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Varas-Díaz, N., Mendoza, S., & Rivera, A. (2015). La cultura de la música heavy metal como fenómeno social. Boletín Asociación de Psicología de Puerto Rico, 38(1), 4–6.
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Vella, E. J., McDonough, C., & Goldstein, H. (2024). Musical mood induction: The relative influences of music type and the importance of music preference. Psychology of Music, 53(4), 523–534.
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Verden, P., Dunleavy, K., & Powers, C. H. (1989). Heavy metal mania and adolescent delinquency. Popular Music and Society, 13(1), 73–82.
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Vokey, J. R., & Read, J. D. (1985). Subliminal messages: Between the devil and the media. American Psychologist, 40(11), 1231–1239.
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Wallach, J., Berger, H. M., & Greene, P. D. (2011). Affective overdrive, scene dynamics, and identity in the global metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 3–33). Durham: Duke University Press.
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Wallin, J. (2012). On the Plains of Gorgoroth: Black Metal, Youth Culture, and the Psychoanalytic Question of Evil. Cultural Formations, 1, n.-p.
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