Dawes, L. (2022). “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal. Ph.D. thesis, Columbia University, New York. Keywords: Race; Representation; Extreme Metal Permanent link \| Save citation: RTF PDF LaTeX \| Export record: BibTeX Endnote ISI RIS Atom XML MODS XML ODF XML Word XML
Burns, L. (2020). Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music. American Music Perspectives, 1(2), 98–118. Keywords: Oppression; Race; Gender; Oceans of Slumber (band); Cammie Gilbert (artist) Permanent link \| Save citation: RTF PDF LaTeX \| Export record: BibTeX Endnote ISI RIS Atom XML MODS XML ODF XML Word XML
Andrew Klein. (2018). Blood, Frets and Tears. Abstract: “Blood, Frets and Tears” is the exploration of history's gifted guitar players: our Guitar Heroes. From the swing of Charlie Christian's bebop guitar and the psychedelic rock of Jimi Hendrix, to the majestic fire of Eddie Van Halen, join us for a momentous and joyous musical trip in the most definitive celluloid document ever filmed on the sound and soul of the electric guitar. (Amazon.com) / Director: Andrew Klein; Writers: Andrew KleinBarry Kolsky(story); Stars: Michael Angelo Batio, Jennifer Batten, Jack Blades, Carlos, Davazo, Lita Ford, Paul Gilbert, Brad Gillis, Bruce Kulick, George Lynch, Tony MacAlpine, Billy Sheehan, and others. / Production Companies: Cut My Flix; Lucky 13 Cinematic; Velocity Films; Distributors: Cut My Flix (2019) (USA) (video); Velocity Films (2019) (USA) (video). Keywords: Documentary film, Dokken, Eddie Van Halen, George Lynch, Jimi Hendrix, Lita Ford, Lynch Mob, Mr. Big, Paul Gilbert, Quiet Riot, Racer X Permanent link \| Save citation: RTF PDF LaTeX \| Export record: BibTeX Endnote ISI RIS Atom XML MODS XML ODF XML Word XML
Bona, M. (2021). Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture. Master's thesis, Saint Mary's University, Halifax. Keywords: Women musicians; Race; Masculinity Permanent link \| Save citation: RTF PDF LaTeX \| Export record: BibTeX Endnote ISI RIS Atom XML MODS XML ODF XML Word XML
Beckwith, K. (2002). ”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene. Colour, 5(3), n.-p. Keywords: Black Metal; Race Permanent link \| Save citation: RTF PDF LaTeX \| Export record: BibTeX Endnote ISI RIS Atom XML MODS XML ODF XML Word XML

Dawes, L. (2022). “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal. Ph.D. thesis, Columbia University, New York.

Burns, L. (2020). Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music. American Music Perspectives, 1(2), 98–118.

Andrew Klein. (2018). Blood, Frets and Tears.

Bona, M. (2021). Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture. Master's thesis, Saint Mary's University, Halifax.

Beckwith, K. (2002). ”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene. Colour, 5(3), n.-p.

Dawes, L. (2022). “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal. Ph.D. thesis, Columbia University, New York. Keywords: Race; Representation; Extreme Metal Permanent link \| Save citation: RTF PDF LaTeX \| Export record: BibTeX Endnote ISI RIS Atom XML MODS XML ODF XML Word XML
Burns, L. (2020). Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music. American Music Perspectives, 1(2), 98–118. Keywords: Oppression; Race; Gender; Oceans of Slumber (band); Cammie Gilbert (artist) Permanent link \| Save citation: RTF PDF LaTeX \| Export record: BibTeX Endnote ISI RIS Atom XML MODS XML ODF XML Word XML
Andrew Klein. (2018). Blood, Frets and Tears. Abstract: “Blood, Frets and Tears” is the exploration of history's gifted guitar players: our Guitar Heroes. From the swing of Charlie Christian's bebop guitar and the psychedelic rock of Jimi Hendrix, to the majestic fire of Eddie Van Halen, join us for a momentous and joyous musical trip in the most definitive celluloid document ever filmed on the sound and soul of the electric guitar. (Amazon.com) / Director: Andrew Klein; Writers: Andrew KleinBarry Kolsky(story); Stars: Michael Angelo Batio, Jennifer Batten, Jack Blades, Carlos, Davazo, Lita Ford, Paul Gilbert, Brad Gillis, Bruce Kulick, George Lynch, Tony MacAlpine, Billy Sheehan, and others. / Production Companies: Cut My Flix; Lucky 13 Cinematic; Velocity Films; Distributors: Cut My Flix (2019) (USA) (video); Velocity Films (2019) (USA) (video). Keywords: Documentary film, Dokken, Eddie Van Halen, George Lynch, Jimi Hendrix, Lita Ford, Lynch Mob, Mr. Big, Paul Gilbert, Quiet Riot, Racer X Permanent link \| Save citation: RTF PDF LaTeX \| Export record: BibTeX Endnote ISI RIS Atom XML MODS XML ODF XML Word XML
Bona, M. (2021). Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture. Master's thesis, Saint Mary's University, Halifax. Keywords: Women musicians; Race; Masculinity Permanent link \| Save citation: RTF PDF LaTeX \| Export record: BibTeX Endnote ISI RIS Atom XML MODS XML ODF XML Word XML
Beckwith, K. (2002). ”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene. Colour, 5(3), n.-p. Keywords: Black Metal; Race Permanent link \| Save citation: RTF PDF LaTeX \| Export record: BibTeX Endnote ISI RIS Atom XML MODS XML ODF XML Word XML