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Butler, E. (2014). The Counter-Reformation in Stone and Metal: Spiritual Substances. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 23–32). s. l.: s. i.
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Castañeda Maldonado, M. E. (2020). The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 219–238). Lanham: Lexington Books.
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Chaker, S. (2004). Black Metal und Death Metal. Eine empirische Untersuchung zu Religion, Gewalt und politischer Orientierung. Ph.D. thesis, Carl von Ossietzky Universität Oldenburg, Oldenburg.
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Coggins, O. (2015). The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal. Journal of Implicit Religion, 18(2), 209–231.
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Coggins, O. (2017). The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal. In D. L. Kirby, & C. M. Cusack (Eds.), Religion and Media (s.p.). London: Routledge.
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Coggins, O. (2018). Mysticism, ritual, and religion in drone metal. London & New York: Bloomsbury Academic.
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Cordero, J. (2009). Unveiling Satan’s Wrath: Aesthetics and Ideology in Anti-Christian Heavy Metal. Journal of Religion and Popular Culture; Toronto, 21(1), 1–15.
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Cotterell, J. (2013). This is Armageddon: the dawn motif and black metal’s anti-Christian project. Helvete: A Journal of Black Metal Theory, 1, 95–101.
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Cundle, T. (2022). Mass Movement: The Digital Years, Vol. Two. East Sussex, UK: Earth Island Books.
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Damon, J. (2025). Sacré metal : étude d’un genre. Études, 2025(1), 95–105.
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