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Dendinger, R. (2015). The way of the sword: Christianity, fascism, and the folk magic of black metal. Helvete: A Journal of Black Metal Theory, 2, 29–38.
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Dickson, J. (1997). Heavy Metal: An Unlikely Spirituality? Theology, 100(797), 323–330.
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Eckerström, P. (2026). Religion as a tool for governance: (de)legitimation of religion among metal musicians and fans in Iran and Saudi Arabia. Religion, State and Society, latest articles.
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Elliott, P. (2018). ”A Matter of Life and Death”: Iron Maiden’s religio-political critique. Metal Music Studies, 4(2), 293–307.
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Epp, A. (2011). Heavy Metal und Islam – ein Antagonismus? Zur Rezeption und Verbreitung des Heavy Metals in Staaten der MENA. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 343–356). Münster: Lit.
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Ferrarese, M. (2015). Heavy Metal Nothingness: Alluring Foreignness And Authenticity Construction In Early 2010s Malaysian Metal. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 195–205). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Glanzer, P. L. (2003). Christ and the heavy metal subculture: applying qualitative analysis to the contemporary debate about H. Richard Niebuhr’s Christ and Culture. Journal of Religion & Society, 5, s.-p.
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Gonzalez, R. E. (2015). Woodland cathedral: Cascadian black metal and implicit religion. Master's thesis, The University of Texas at San Antonio, San Antonio.
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Granholm, K. (2013). Ritual Black Metal: Popular Music as Occult Mediation and Practice. Correspondences, 1(1), 5–33.
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Guibert, G. (2013). Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France. In T. Hjelm, K. Kahn-Harris, & M. LeVine (Eds.), Heavy metal: controversies and countercultures (pp. 98–116). Bristol: Equinox.
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