Draus, A. (2023). Retoryka wojenna i ekspresja agresji w twórczości Metalliki (z lat 1983‒1991) [War Rhetoric and the Expression of Aggression in the Works of Metallica (from 1983 to 1991)]. Annales Universitatis Paedagogicae Cracoviensis. Studia De Cultura, 15(4), 7–18.
Abstract: “This paper firstly attempts to trace the rhetoric of war – that is, the conventionalized poetic language used primarily by writers of poetry – from ancient times to the present. Secondly, a collection of the most important rhetorical strategies, created from the analysis of this mythical imagination and its European legacy, will serve as a starting point for an interpretation of Metallica’s lyrics from their five major albums released between 1983 and 1991, and of the musical means that create the emotional power of this music.”
(SOURCE: https://studiadecultura.uken.krakow.pl/article/view/10913)
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Draut, E. (2023). White faces in the dark forest: A discussion surrounding whiteness and hegemonic masculinity in Norwegian black metal. Metal Music Studies, 9(3), 293–309.
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Vidal, Y. (2021). Repensar y refundar la P(M)atria: los tópicos del siglo XIX en el metal oriental en Cuchillagrande, Pecho E' Fierro y Libertad o Muerte. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 90–98). Buenos Aires: Clara Beter Ediciones.
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Scaricaciottoli, E., & Minore, G. (Eds.). (2021). Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano. Buenos Aires: Clara Beter Ediciones.
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Wallach, J. (2003). “Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. In H. M. Berger, & M. T. Carroll (Eds.), Global Pop, Local Language (pp. 53–86). Jackson: University Press of Mississippi.
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