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DiGioia, A., & Naylor Davis, C. (2018). Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal. In S. Holland, & K. Spracklen (Eds.), Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization (pp. 27–42). Emerald Studies in Alternativity and Marginalization. Emerald Publishing Limited.
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Draus, A. (2023). Retoryka wojenna i ekspresja agresji w twórczości Metalliki (z lat 1983‒1991) [War Rhetoric and the Expression of Aggression in the Works of Metallica (from 1983 to 1991)]. Annales Universitatis Paedagogicae Cracoviensis. Studia De Cultura, 15(4), 7–18.
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Draut, E. (2023). White faces in the dark forest: A discussion surrounding whiteness and hegemonic masculinity in Norwegian black metal. Metal Music Studies, 9(3), 293–309.
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Elflein, D. (2010). Schwermetallanalysen: die musikalische Sprache des Heavy Metal. Texte zur populären Musik, (6). Bielefeld: Transcript-Verl.
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Fejes, J. (2018). The Reception of Biblical and Mythological Patterns in the Lyrics of Extreme Metal Music. Ph.D. thesis, Pázmány Péter Katolikus Egyetem, Budapest.
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Ferris, Á., & Fontanet, N. (2007). Pasaporte al infierno: un viaje sin retorno a la naturaleza de la bestia. Llinars del Vallès (Barcelona): Quarentena.
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Foschum, C. (2014). Skandinavischer Black Metal: Geschichte, Thematik, Symbolik und Ästhetik zwischen Satanismus und (Neu)Heidentum. Saarbrücken: AV Akademikerverlag.
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Friesen, B. K., & Epstein, J. S. (1994). Rock ’n’ roll ain’t noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music. Popular Music and Society; Bowling Green, 18(3), 1.
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Gardenour Walter, B. S. (2019). Satanic Bowels: Medieval Inversion and the Black Metal Grotesque. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 171–180). London: Emerald.
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Harrell, J. (1994). The poetics of destruction: Death metal rock. Popular Music and Society, 18(1), 91–103.
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