| 
Citations
 | 
   web
Hay, A. (2016). ‘Cruelty Brought Thee Orchids’ (and irony) – The covert social satire of Cradle of Filth. Metal Music Studies, 2(1), 125–134.
toggle visibility
Hoffin, K. (2018). Decay as a black metal symbol. Metal Music Studies, 4(1), 81–94.
toggle visibility
Kahn-Harris, K. (2015). ‘Yours Is The Earth And Everything That’S In It’: Myths And Narratives Of Britishness In The Construction And Consumption Of Iron Maiden. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 103–112). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
toggle visibility
Karjalainen, T. - M. (2016). Ride between Hell and Paradise: Imaginaerum as Mental Anchoring Place for the Global Nightwish Fan Community. In N. Varas-Díaz, & N. Scott (Eds.), Heavy Metal Music and the Communal Experience (pp. 59–78). Lanham, Boulder, New York & London: Lexington Books.
toggle visibility
Karjalainen, T. - M. (2018). Tales from the North and Beyond: Sounds of Origin as Narrative Discourses. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 1–40). Cambridge: Cambridge Scholars Publishing.
toggle visibility
Kärki, K. (2006). ”Let’s Fucking Die!”: Metallimusiikki, Pahuus Ja Kuoleman Kuvastot. Peili, 1, 16–19.
toggle visibility
Lesouooijenrd, E. van. (2015). Giving life harmoniously: animal inversion in Cattle Decapitation. Helvete: A Journal of Black Metal Theory, 2, 73–93.
toggle visibility
Mackenzie, J. A. (2018). Tech noir: Aesthetic connections between Burroughs’ Naked Lunch and contemporary extreme metal. Metal Music Studies, 4(1), 25–40.
toggle visibility
Mendelyte, A. (2017). The Still, Sad Music of Humanity in Doom Metals Romanticizing Machine. Criticism, 59(3), 469–489.
toggle visibility
Norman, J. (2019). ‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins. Metal Music Studies, 5(2), 225–242.
toggle visibility