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Ostrowski, F. - J. (2019). Vom Teufel zum Satanismus: der Wandel der Teufelsbilder im musikalischen Genre Heavy Metal, 1980-2000. Ph.D. thesis, Universität Wien, Vienna.
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Riches, G. (2016). Use Your Mind? Embodiments of Protest, Transgression, and Grotesque Realism in British Grindcore. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 125–144). New York & London: Routledge.
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Rowell-Lynn, E. (1993). Heavy metal and hard rock lyrics: a comparison of language intensity and lyrical themes. Ph.D. thesis, University of West Florida, Pensacola.
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Russo, J. (2014). Perpetue Putesco – Perpetually I Putrefy. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 93–104). s. l.: s. i.
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Sanchino Martínez, E. (2019). Drastik und Metal – SLAYERs Reign in Blood. In DRASTIK Zur Logik und Ästhetik eines populärkulturellen Paradigmas (pp. 187–266). Münster: readbox unipress.
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Scaricaciottoli, E., & Minore, G. (Eds.). (2021). Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano. Buenos Aires: Clara Beter Ediciones.
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Scott, N., & Shakespeare, S. (2015). The swarming logic of inversion and the elevation of Satan. Helvete: A Journal of Black Metal Theory, 2, 1–12.
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Scott, N. W. R. (2016). Absurd Communities of Misanthropic Paradox Destruction: You Play and We’ll Destroy the House. In N. Varas-Díaz, & N. Scott (Eds.), Heavy Metal Music and the Communal Experience (pp. 23–36). Lanham, Boulder, New York & London: Lexington Books.
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Sellheim, N. (2016). Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic. The Polar Record, 52(5), 509–517.
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Shakespeare, S. (2014). The light that illuminates itself, the dark that soils itself: Blackened notes from Schelling’s Underground. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 5–22). s. l.: s. i.
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