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St-Laurent, M. - R. (2016). Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh. Metal Music Studies, 2(1), 87–108.
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Stephanou, A. (2014). Playing Wolves and Red Riding Hoods in Black Metal. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 157–170). s. l.: s. i.
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Stosuy, B. (2014). Meaningful Leaning Mess. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 143–156). s. l.: s. i.
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Susino, M., & Schubert, E. (2019). Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics. Empirical Musicology Review, 14(1/2), 2–15.
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Swinford, D. (2019). Black Metal’s Medieval King: The Apotheosis of Euronymous through Album Dedications. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 121–136). London: Emerald.
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Tagg, P. (1994). Subjectivity and Soundscape, Motorbikes and Music. In H. Järviluoma (Ed.), Soundscapes: Essays on Vroom and Moo (pp. 48–66). Tampere: University of Tampere.
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Trummer, M. (2011). Sympathy for the Devil? Transformationen und Erscheinungsformen der Traditionsfigur Teufel in der Rockmusik. Münster: Waxmann.
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Unger, M. (2016). Sound, Symbol, Sociality: The Aesthetic Experience of Extreme Metal Music. London: Palgrave Macmillan UK.
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Unger, M. P. (2019). Ode to a dying God: Debasement of Christian symbols in extreme metal. Metal Music Studies, 5(2), 243–262.
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Vidal, Y. (2021). Repensar y refundar la P(M)atria: los tópicos del siglo XIX en el metal oriental en Cuchillagrande, Pecho E' Fierro y Libertad o Muerte. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 90–98). Buenos Aires: Clara Beter Ediciones.
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