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Villegas Naranjo, G. (2000). Al borde del abismo: mensajes subliminales :música rock y satanismo. Bogotá: Paulinas.
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Vokey, J. R., & Read, J. D. (1985). Subliminal messages: Between the devil and the media. American Psychologist, 40(11), 1231–1239.
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Vrzal, M. (2017). Metal a akademické studium náboženství aneb proč by se religionistika měla o metal zajímat, se zaměřením na téma metal a satanismus [Metal and the academic study of religions or why should the study of religions be interested in metal, or focused on the topic metal and Satanism]. Sacra, 15(2), 7–32.
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Vrzal, M. (2026). Metal and Religion in Central and Eastern Europe and the Implications for Metal Studies Concepts. In P. Pichler, A. - K. Höpflinger, J. Scheller, L. Dawes, & C. F. Béra (Eds.), Meta/Metal Open Questions in Metal Studies (pp. 60–79). Stuttgart: Kohlhammer.
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Vrzal, M., & Řezníček, D. (2017). Impaled Northern Moonforest: konstrukce parodické blackmetalové identity [Impaled Northern Moonforest: construction of a parodic black metal identity]. Sacra, 15(2), 62–88.
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Walzer, N. (2007). Les imaginaires satanique et païen: le cas de la musique métal extrême. Ph.D. thesis, Université Paris Descartes, Paris.
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Waugh, C. (2026). Blasting through barriers: gender, affect, and the politics of presence in extreme metal. Frontiers in Communication, 11, s.p.
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Wilson, S. (2014). BAsileus philosoPHOrum METaloricum. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 33–52). s. l.: s. i.
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