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Plach, A. - K. (2007). Symbole und Rituale einer Metal-Szene: Sex, Drugs, Rock’n Roll und Satanismus. Ph.D. thesis, Universität Wien, Vienna.
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Sarelin, M. (2010). Masculinities within black metal: heteronormativity, protest masculinity or queer? In N. Scott (Ed.), The metal void: first gatherings (pp. 61–70). Oxford: Inter-Disciplinary Press.
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Sarelin, M. (2012). Masculinities within black metal: heteronormativity, protest masculinity or queer? In N. Scott (Ed.), Reflections in the Metal Void (pp. 69–88). Oxford: Inter-Disciplinary Press.
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Savigny, H., & Sleight, S. (2019). ”Bück Dich”: Rammstein in Amerika and the subversion of masculinized sexuality. In G. Bayer (Ed.), Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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Solee, K. (2011). Hysteric Desire: Sexual Positions, Sonic Subjectivity and Gender Play in Glam Metal. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 51–62). Oxford: Inter-Disciplinary Press.
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Spracklen, K. (2010). Gorgoroth’s Gaahl’s gay! Power, gender and the communicative discourse of the black metal scene. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 89–102). Oxford: Inter-Disciplinary Press.
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Vasan, S. (2010). ‘Den mothers’ and ‘band whores’: gender, sex and power in the death metal scene. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 67–77). Oxford: Inter-Disciplinary Press.
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