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Arnett, J. J. (1996). Metalheads: Heavy Metal Music And Adolescent Alienation. Westview Press.
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Azevedo, C. (2010). Metal in Rio de Janeiro 1980’s-2008: an overview. In N. Scott (Ed.), The metal void: first gatherings (pp. 331–340). Oxford: Inter-Disciplinary Press.
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Azevedo, C. (2012). Metal in Rio de Janeiro 1980’s-2008: an overview. In N. Scott (Ed.), Reflections in the Metal Void (pp. 89–100). Oxford: Inter-Disciplinary Press.
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Baka, A. (2015). The forming of a metalhead: constructing a subcultural identity. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland (pp. 55–63). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Baker, C., & Brown, B. (2016). Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis. Journal of Medical Humanities, 37, 1–17.
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Banchs, E. (2021). From The Ashes of the Fallen Empire: Heavy Metal and Community in Post-Apartheid South Africa. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
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Banchs, E. (2022). Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa. Bristol: Intellect.
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Banchs, E. (2023). Ancient, Evil, and African: Heavy Metal and Conflict in East Africa. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 283–302). London: Lexington Books.
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Bardine, B. A., & Hale, J. (2021). Old and New: Cross-Generational Community in the Dayton Metal Scene. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
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Barone, S. (2015). Metal Identities In Tunisia: Locality, Islam, Revolution. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 185–194). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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