| 
Citations
 | 
   web
Berger, H. M. (1999). Metal, rock, and jazz: perception and the phenomenology of musical experience. Delaware: Wesleyan University Press.
toggle visibility
Berger, H. M. (2006). ”Aspects du death metal”. Affect, objet et vécu social de la musique. Volume! La revue des musiques populaires, 5(2), 31–51.
toggle visibility
Binas, S. (1992). «Keep It Hard, Keep It Heavy» Zu einigen Aspekten soziokorporeller Kommunikationsmuster im Prozeß der Geschlechtersozialisation. PopScriptum, 1(92), 96–111.
toggle visibility
Binder, A. (1993). Constructing racial rhetoric: Media depictions of harm in heavy metal and rap music. American Sociological Review; Washington, 58(6), 753–767.
toggle visibility
Bleile, M. L., Luedeker, B., & Patterson, C. B. (2022). A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West. Metal Music Studies, 8(3), 327–350.
toggle visibility
Bobineau, O. (2005). La musique metal : sociologie d’un fait religieux. Societes, 88(2), 93–102.
toggle visibility
Bostic, J. Q., Schlozman, S., Pataki, C., Ristuccia, C., & al, et. (2003). From Alice Cooper to Marilyn Manson. Academic Psychiatry; New York, 27(1), 54.
toggle visibility
Bourre, J. - P. (1997). Les profanateurs : la nébuleuse de tous les périls ; nouvelle droite, skinheads, rock metal, néonazis. Genève: Le Comptoir Éd.
toggle visibility
Brown, A. R. (2007). Rethinking the Subcultural Commodity : Exploring Heavy Metal T-Shirt Culture(s). In P. Hodkinson, & W. Deicke (Eds.), Youth Cultures: Scenes, Subcultures and Tribes (pp. 63–78). London: Routledge.
toggle visibility
Brown, A. R. (2010). The importance of being metal: the metal music tabloid and youth identity construction. In N. Scott (Ed.), The metal void: first gatherings (pp. 105–134). Oxford: Inter-Disciplinary Press.
toggle visibility