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Coronado, J. (2022). La influencia de la expresión de la música Metal en la identidad cultural de Tribus Urbanas de metaleros de la ciudad de La Paz. In R. Tapia, & B. Mendoza (Eds.), El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano (pp. 169–200). La Paz: Ediciones Jichha.
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Culot, J. (2014). La ”métallisation” du genre: anthropologie des identités de genre dans le ”milieu” de la musique métal (Belgique). Ph.D. thesis, Université de Liège, Liège.
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Da Silva, B. A. (2014). “Metal City”: Apontamentos sobre a história do Heavy Metal produzido em Belém do Pará (1982 – 1993). Ph.D. thesis, Universidade Federal do Pará, Belém.
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Dairianathan, E. (2011). Soundscapes in Vedic metal: a perspective from Singapore. Perfect Beat, 12(2), 167–189.
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Dairianathan, E. (2012). The Burden of Song: Vedic Metal in Singapore. Journal of Creative Communications, 7(3), 243–260.
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Dairianathan, E. (2012). Vedic Metal and Urban Soundscapes: A Perspective from Singapore. In L. Koos (Ed.), Hidden Cities: Understanding Urban Popcultures (pp. 197–205). Oxford: Inter-Disciplinary Press.
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Dairianathan, E., & Hoo, L. C. (2010). Vedic metal: issues of local practice, popular music and education. (pp. 32–38). Sydney: University of Sydney.
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Dairianathan, E. I. (2009). Vedic metal and the South Indian community in Singapore: problems and prospects of identity. Inter-Asia Cultural Studies, 10(4), 585–608.
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Dawes, L. (2015). Challenging an ‘Imagined Community’: Discussions (or lack thereof) of black and queer experiences within heavy metal culture. Metal Music Studies, 1(3), 385–393.
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de Souza Medeiros, A. (2017). ENTRE “A TERRA DO SOL” E A “CIDADE MARAVILHOSA”: rotas, desvios e torneios de valor nos circuitos do rock metal. Ph.D. thesis, Universidade Federal do Ceará, Fortaleza.
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