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Hassemer, S. M. (2011). Metal-Alter. Zur Rezeption der Vormoderne in Subgenres des Heavy Metals. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 247–261). Münster: Lit.
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Hill, R. L. (2011). Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community. Journal for Cultural Research, 15(3), 297–313.
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Hillier, B. (2020). Considering genre in metal music. Metal Music Studies, 6(1), 5–26.
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Hofmann, A. (2020). Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres. Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak, 15(1), 73–91.
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Kennedy, L. F. (2017). Functions of genre in metal and hardcore music. Ph.D. thesis, University of Hull, Hull.
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Leichsenring, J. (2011). ”Wir fordern das Unmögliche”. Zur Formulierung und Funktion antimoderner Topoi in einigen Metal-Subgenres. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 291–306). Münster: Lit.
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Lukes, D. (2013). Black metal machine: theorizing industrial black metal. Helvete: A Journal of Black Metal Theory, 1, 69–94.
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Martínez Garcia, S. (2006). La production de genres : analyses depuis les périphéries du heavy metal. Volume! La revue des musiques populaires, 5(2), 91–113.
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Mulvany, A. P. (2000). ”Reawakening pride once lost”: indigeneity and European folk metal. Ph.D. thesis, Wesleyan University, Middletown.
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Prozak, S. R. (2012). Heavy Metal FAQ: Introduction to Metal Music and Culture. Dark Legions Archive: Black metal, death metal, grindcore, thrash and heavy metal reviews from the net's original heavy metal site, , 1–91.
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