|
|
Leichsenring, J. (2011). ”Wir fordern das Unmögliche”. Zur Formulierung und Funktion antimoderner Topoi in einigen Metal-Subgenres. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 291–306). Münster: Lit.
|
|
|
|
Samlhofer, A. (2011). Grindcore – eine ›extreme‹ Mutation des Metals? Zur Diskursivierung des Grindcore. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 207–224). Münster: Lit.
|
|
|
|
Rubio, S. (2011). Metal extremo: 30 años de oscuridad (1981-2011). Lleida: Milenio.
|
|
|
|
Hill, R. L. (2011). Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community. Journal for Cultural Research, 15(3), 297–313.
|
|
|
|
Tsatsishvili, V. (2011). Automatic Subgenre Classification of Heavy Metal Music. Master's thesis, University of Jyväskylä, Jyväskylä, Finland.
Abstract: Automatic genre classification of music has been of interest for researchers over a decade. Many success-ful methods and machine learning algorithms have been developed achieving reasonably good results. This thesis explores automatic sub-genre classification problem of one of the most popular meta-genres, heavy metal. To the best of my knowledge this is the first attempt to study the issue. Besides attempting automatic classification, the thesis investigates sub-genre taxonomy of heavy metal music, highlighting the historical origins and the most prominent musical features of its sub-genres.
For classification, an algorithm proposed in (Barbedo & Lopes, 2007) was modified and implemented in MATLAB. The obtained results were compared to other commonly used classifiers such as AdaBoost and K-nearest neighbours. For each classifier two sets of features were employed selected using two strategies: Correlation based feature selection and Wrapper selection. A dataset consisting of 210 tracks representing seven genres was used for testing the classification algorithms. Implemented algorithm classified 37.1% of test samples correctly, which is significantly better performance than random classification (14.3%). However, it was not the best achieved result among the classifiers tested. The best result with correct classification rate of 45.7% was achieved by AdaBoost algorithm.
(Source: https://jyx.jyu.fi/handle/123456789/37227#)
|
|
|
|
Prozak, S. R. (2012). Heavy Metal FAQ: Introduction to Metal Music and Culture. Dark Legions Archive: Black metal, death metal, grindcore, thrash and heavy metal reviews from the net's original heavy metal site, , 1–91.
Abstract: << Introduction: This periodically posted article introduces heavy metal music and the
heavy metal genre, including the sub-genres of speed metal, death metal, black metal,
thrash, doom metal, grindcore, and ambient metal.
Summary: This FAQ explores the development of heavy metal as a musical movement
through its place in a larger culture, and re ects upon the ideological and sociological circumstances that motivated that development. These circumstances are tracked through
music theory, symbolism, and behavior.
It also explores the subculture of heavy metal music and its members, known as “Hessians,” who listen to the music and attempt to live by the values expressed in the music.
It includes but is not limited to a history of metal music, the philosophy of heavy metal,
the styles and sub-genres of heavy metal, etiquette in the heavy metal groups, where to
nd heavy metal t-shirts and CDs, and the cultural values of the Hessian subculture.
Authorship: The Heavy Metal FAQ was written by metal radio presenter and writer
S.R. Prozak for the Dark Legions Archive at www.anus.com/metal and features contributions from USENET metal experts 1993-1999.
Archive: The current ASCII text copy of this article may be found online at
http://www.anus.com/metal/about/faq >>
SOURCE: PDF of article
|
|
|
|
Lukes, D. (2013). Black metal machine: theorizing industrial black metal. Helvete: A Journal of Black Metal Theory, 1, 69–94.
|
|
|
|
Trafford, S. (2013). Blood, fire,, death: Bathory and the birth of viking metal. In M. Goodall (Ed.), Gathering of the tribe: music and heavy conscious creation (pp. 302–308). London: Headpress.
|
|
|
|
Coggins, O. (2016). ‘Record store guy’s head explodes and the critic is speechless!’ Questions of genre in drone metal. Metal Music Studies, 2(3), 291–309.
|
|
|
|
Ribeiro, H. (2016). Heavy, Death and Doom Metal in Brazil: A Study on the Creation and Maintenance of Stylistic Boundaries within Metal Bands. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 227–244). New York & London: Routledge.
|
|
