|
Easley, D. (2025). Half-Time, Standard-Time, and Double-Time Feels in 1980s Crossover Thrash. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 152–166). Abingdon; New York: Routledge.
|
|
Hannan, C. (2026). I Don’t Hear It That Way: Temporal Parallax, Metal, and Music Theory’s “Listener”. Music Theory Spectrum, t.b.c., mtaf015.
|
|
Nink, T., & Heesch, F. (2023). Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs. Arts, 12(1), 38.
|
