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Umurhan, O. (2019). Coda: Some Trends in Metal’s Use of Classical Antiquity. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 201–216). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Taylor, M. (2019). Eternal Defiance: Celtic Identity and the Classical Past in Heavy Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 53–76). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Secord, J. (2019). Occult and Pulp Visions of Greece and Rome in Heavy Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 155–172). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Olabarria, L. (2019). “When the Land was Milk and Honey and Magic was Strong and True”: Edward Said, Ancient Egypt, and Heavy Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 173–200). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Magro-Martínez, I. (2019). A Metal monstrum: Ex Deo’s Caligula. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 131–154). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Fletcher, K. F. B., & Umurhan, O. (2019). Introduction: Where Metal and Classics Meet. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 1–22). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Fletcher, K. F. B. (2019). Vergil’s Aeneid and Nationalism in Italian Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 23–52). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Crofton-Sleigh, L. (2019). Heavy Metal Dido: Heimdall’s “Ballad of the Queen”. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 115–130). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Åshede, L., & Foka, A. (2019). Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 97–114). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Apergis, C. (2019). Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 77–96). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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