|
Ables, M. (2016). Wild Side: Self-Styling and the Aesthetics of Metal in the Music Videos of Mötley Crüe. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 99–108). New York & London: Routledge.
|
|
Bellemare, L. (2016). Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 193–208). New York & London: Routledge.
|
|
Brown, A. R. (2016). ”Girls like metal, too!” Female reader’s engagement with the masculinist culture of the tabloid metal magazine. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 163–181). New York & London: Routledge.
|
|
Chaker, S. (2016). What is ‘male’ about black and death metal music? An empirical approach. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 147–162). New York & London: Routledge.
|
|
Chaker, S., & Heesch, F. (2016). Female Metal Singers: A Panel Discussion with Sabina Classen, Britta Görtz, Angela Gossow and Doro Pesch. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 133–146). New York & London: Routledge.
|
|
Clifford-Napoleone, A. R. (2016). Metal, Masculinity, and the Queer Subject. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 39–54). New York & London: Routledge.
|
|
Custodis, M. (2016). Living History: The Guitar Virtuoso and Composer Steve Vai. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 55–70). New York & London: Routledge.
|
|
Elflein, D. (2016). ”Never say die!” Ozzy Osbourne as a male role model. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 71–83). New York & London: Routledge.
|
|
Erbe, M. (2016). ”This isn’t over ‘til I say it’s over!” Narratives of Male Frustration in Deathcore and Beyond. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 182–192). New York & London: Routledge.
|
|
Gerk, S. (2016). Placing Gender: Alice Cooper’s Motor City Move. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 84–98). New York & London: Routledge.
|