|
Wright, R. (2000). ’I’d Sell You Suicide’: Pop Music and Moral Panic in the Age of Marilyn Manson. Popular Music, 19(3), 365–385.
|
|
Weinstein, D. (2000). Heavy metal: the music and its culture. New York: Da Capo Press.
|
|
Villegas Naranjo, G. (2000). Al borde del abismo: mensajes subliminales :música rock y satanismo. Bogotá: Paulinas.
|
|
Tandecki, D. (2000). NACHTSAITEN DER MUSIK. Grauzonen und Braunzonen in der schwarzen Musikszene. Konrad Adenauer Stiftung.
|
|
Signorelli, L. (2000). Heavy metal: i moderni. Firenze: Giunti.
|
|
Signorelli, L. (2000). Heavy metal. I classici. Firenze: Giunti.
|
|
Roccor, B. (2000). Heavy Metal: Forces of Unification and Fragmentation within a Musical Subculture. The World of Music, 42(1), 83–94.
|
|
Popoff, M. (2000). Heavy metal. Burlington, Ontario: Collector’s Guide.
|
|
Pillsbury, G. T. (2000). Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience. Popular Music and Society, 24(1), 125–128.
|
|
Mulvany, A. P. (2000). ”Reawakening pride once lost”: indigeneity and European folk metal. Ph.D. thesis, Wesleyan University, Middletown.
|
