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(2005). Discographie, filmographie, photographies metal. Societes, 88(2), 149–154.
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Akoto, P. (2005). ”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik. Ph.D. thesis, Universität Münster, Münster.
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Akoto, P. (2005). ”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik. Münster: Telos-Verl.
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Berelian, E. (2005). The rough guide to heavy metal. London & New York: Rough Guides.
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Berger, H. M., & Fales, C. (2005). ”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features. In P. D. Greene, & T. Porcello (Eds.), Wired for sound: engineering and technologies in sonic cultures (pp. 181–197). Middletown: Wesleyan University Press.
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Bobineau, O. (2005). La musique metal : sociologie d’un fait religieux. Societes, 88(2), 93–102.
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Brown, A., & Porcell, J. (2005). Schism New York Hardcore Fanzine. Boston: Bridge Nine.
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Campbell, E. (2005). The Death of Satan: A novice poet’s ode to his innocence, classic heavy metal, & the creativity of imaginary evil. The Massachusetts Review, 46(1), 105–120.
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Cardoso Filho, J. (2005). Caos, peso e celebração: uma abordagem do Heavy Metal a partir da noção de gênero mediático. In Anais do XXXVIII Congresso Brasileiro de Ciências da Comunicaçã. UERJ, 5 a 9 de setembro de 2005. Rio de Janeiro: Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação.
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Christe, I. (2005). El sonido de la bestia. Barcelona: Robinbook.
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