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(2018). ”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal. In G. Guibert, & C. Rudent (Eds.), Made in France: studies in popular music (pp. 89–104). New York & Oxford: Routledge.
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Abbott, H., & Ardrey, C. (2018). ”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music. Esprit Créateur; Baltimore, 58(1), 130–143.
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Allain, F. (2018). Musiques extrêmes, sexe et orientation sexuelle: de 1970 ? nos jours. Ph.D. thesis, Université Paris 1 Panthéon-Sorbonne, Paris.
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Almer, J., & Ondřej, D. (2018). “666 XXX”: Sexploitation in Czech and Slovak Black Metal and Porno-Gore Grind. Časopis za kritiko znanosti, domišljijo in novo antropologijo (Journal for the Critique of Science, Imagination, and New Anthropology), XLVI(274), 199–214.
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Andrew Klein. (2018). Blood, Frets and Tears.
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Annegg, F. (2018). You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene. Ph.D. thesis, Universität Wien, Vienna.
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Belén Calvo, M. (2018). Indigenista perspectives in Argentine metal music. Metal Music Studies, 4(1), 155–163.
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Brannigan, P., & Winwood, I. (2018). Nacer, crecer, Metallica, morir. Barcelona: Malpaso.
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Brown, A. R. (2018). A manifesto for metal studies: Or putting the ‘politics of metal’ in its place. Metal Music Studies, 4(2), 343–363.
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Burke, D. (2018). Political Expression in Doom Metal. Ph.D. thesis, University of Southampton, Southampton.
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