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Algora, A. F. (2019). Filosofía e historia del pensamiento en el heavy metal y músicas afines. Una aproximación. In F. Galicia Poblet (Ed.), Heavy y metal, a través del cristal. Nuevas perspectivas culturales (pp. 29–52). Madrid: Apache Libros.
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Apergis, C. (2019). Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 77–96). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Åshede, L., & Foka, A. (2019). Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 97–114). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Baert, S. (2019). Cthulhu metal: H. P. Lovecraft : l’influence du mythe. Paris: Bragelonne.
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Barone, S. (2019). Metal, rap, and electro in post-revolutionary Tunisia : a fragile underground. Abingdon & New York: Routledge.
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Barratt-Peacock, R. (2019). The Villon that Never Was. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 157–170). London: Emerald.
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Barratt-Peacock, R., & Hagen, R. (Eds.). (2019). Medievalism and Metal Music Studies: Throwing down the gauntlet. London: Emerald.
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Barratt-Peacock, R., Hagen, R., & Gardenour Walter, B. S. (2019). Finding the Past in the Present and the Present in the Past. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 137–144). London: Emerald.
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Bauer, M. (2019). Zugehörigkeit zur Heavy Metal Szene in Bezugnahme auf Körperlichkeiten : Eine Szene von Innen. München: GRIN Verlag.
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Bayer, G. (Ed.). (2019). Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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