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Agapit, P., & Mounier, C. (2020). Réussir ? se démarquer au sein d’un secteur concurrentiel : l’expérience festivalière au service des festivals. Le cas du Motocultor Festival Open Air. In C. Charbonnier, Ë. Salvat, & J. Goebel (Eds.), French metal studied: Approches différenciées des acteurs et des publics (pp. 135–162). Corentin Charbonnier.
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Alasia, E. (2020). The Reason Behind My Writing: Another Day of Being. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 72–83). Chicago: University of Chicago Press.
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Anselmi, J. J. (2020). Doomed to fail: the incredibly loud history of doom, sludge, and post-metal. Los Angeles: Rare Bird Books.
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Bajko, M. (2020). Literatura piękna w tekstach utworów artystów polskiej sceny metalowej [Fiction in the texts of works by artists of the Polish metal scene]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 9–28). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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Bernal, M., & Caballero, M. (2020). Walkabout, Just Walking about for the Sake of Walking: The Journey as an Ethos in the Poetics of Ricardo Iorio. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 46–57). Chicago: University of Chicago Press.
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Beya, S. (2020). Six feet three of Cheekbones, vanity and attitude: A discourse analysis of the construction of gender in the performance of metal music. Master's thesis, Umeå University, Umeå.
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Bohn, D., & Bernardi, C. de. (2020). Celebrating 30 years louder than hell: exploring commercial and social “Host Event Zone” developments of the heavy metal festival Wacken Open Air. Annals of Leisure Research, (accepted).
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Burns, L. (2020). Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music. American Music Perspectives, 1(2), 98–118.
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Burns, L. (2020). Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017). In K. A. Hansen, E. Askeroi, & F. Jarman (Eds.), Popular Musicology and Identity: Essays in Honour of Stan Hawkins (196–217). Routledge.
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Calvo, M. B. (2020). Metal and Politics in Argentina: A Study into the Audienceship Surrounding Ricardo Iorio. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 183–200). Lanham: Lexington Books.
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