Akimov, R. (2022). Dungeon Synth: The Rebirth of the Legend. United Kingdom: Cult Never Dies.
Abstract: << The first book on this unique and fascinating genre of music (excluding the Mortiis book, also available in the store), this is an exploration of this unique and fascinating music form and culture.
Originally birthed, almost by accident, from the black metal genre in the 1990s, dungeon synth has not not only returned, but exploded, in recent years, with a legion of new musicians picking up the torch. Featuring detailed interviews with many of the key figures, the book explores what separates dungeon synth from other forms of dark ambient, as well as its past, present and possible future.
Originally self-published in very low numbers in 2021, this edition has been edited and upgraded, with many more images and much improved overall production.
120 pages, with many illustrations and interviews with:
MORTIIS, DEPRESSIVE SILENCE, OLD SORCERY, OLD TOWER, MURGRIND, ÖRNATORPET, GALDUR, ERANG, VINDKALDR, EQUITANT, JOAN LLOPIS, HOLLOW MYTHS and more. >>
(source: cult never dies website)
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Ayala Plazarte, F. (2022). Una retrospectiva a la propuesta del folk metal en la región. Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras, 1(1).
Abstract: REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad.
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Bahy, C. (2022). Lugar de mulher é onde ela quiser inclusive no metal extremo: mulheres, metal extremo, transgressão e resistência. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 75–93). São Paulo: Pimenta Cultural.
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Banchs, E. (2022). Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa. Bristol: Intellect.
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Barchi, R. (2022). Infer(ce)no na música extrema: das ecologias e das trevas nas capas de álbuns grindcore. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 314–343). São Paulo: Pimenta Cultural.
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Barratt-Peacock, R. (2022). Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour. Metal Music Studies, 8(3), 293–308.
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Belén Calvo, M. (2022). La construcción de la identidad metálica auténcia en la escena argentina. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 245–266). São Paulo: Pimenta Cultural.
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Bernal, M. (2022). MURMULLOS INQUIETANTES EN LA ORILLA. IMPRESIONES EN TORNO A LA VITALIDAD DE UN DEBATE. Metal de Habla Hispana, 1, 113–117.
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Bleile, M. L., Luedeker, B., & Patterson, C. B. (2022). A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West. Metal Music Studies, 8(3), 327–350.
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Boughali, K. (2022). Thoughts on Black Metal. Independently published.
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