Castillo Bernal, S. (2022). Exotismo performance e imaginario del metal de inspiración prehispánica en México. Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras, 1(1).
Abstract: REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad.
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Checa García, F. (2022). USO DE LAS REDES SOCIALES POR LAS BANDAS DE HEAVY METAL DURANTE LA PANDEMIA. Metal de Habla Hispana, 1, 30–37.
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Córdoba Romero, J. A. (2022). Metal to the Bone: Falta de autocrítica y feminismo dentro del metal.1(1).
Abstract: REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad.
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Córdoba Romero, J. A. (2022). Metal to the Bone, una mirada con enfoque de género a las escenas metaleras. Imaginación o Barbarie, 25.
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Coronado, J. (2022). La influencia de la expresión de la música Metal en la identidad cultural de Tribus Urbanas de metaleros de la ciudad de La Paz. In R. Tapia, & B. Mendoza (Eds.), El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano (pp. 169–200). La Paz: Ediciones Jichha.
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Couzineau-Zegwaard, E., Anne, N., & Meier, O. (2022). Pulse of minoroty: La transgression pour l'activisme. In L. Tarnaud, O. Meier, & E. Couzineau-Zegwaard (Eds.), Minorités en mode majeur (pp. 68–107). Caen: Éditions EMS.
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Cundle, T. (2022). Mass Movement: The Digital Years, Vol. Two. East Sussex, UK: Earth Island Books.
Abstract: << Mass Movement: The Digital Years, Volume 2 is the second half of a beautiful and comprehensive two book collection. A compilation of the best interviews and features from the second half of Mass Movement’s digital period.
Some of you have probably seen a lot of it before, but we're willing to bet that for the majority of you, this is the first time that you’ve seen most, if not all, of this content. And you know what? It’s good. It’s really good and whilst Tim is happy, well as happy as a miserable old bugger like he can be, that this content is finally available again, what he's genuinely thrilled about is that it shows how varied Mass Movement Magazine was.
This collection includes interviews [and] captures the spirit and essence of everything Mass Movement was, is and always will be. This hefty book ships with additional goodies and will give you plenty to read, either from cover to cover or dipping in and out. Published worldwide 26th March 2021 and can be ordered locally within your own country on amazon or from your local book store. >>
(Source: https://www.earthislandbooks.com)
Keywords: Crust punk, Hardcore punk, Melodic hardcore, Metalcore, Thrash metal, Thrashcore, UK82, Acid Reign, Agnostic Front, Bad Religion, Burn, English Dogs, Kill Your Idols, Lagwagon, Shai Hulud, Snuff, Voorhees, Youth Of Today, Metal Blade, Revelation Records
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Dawes, L. (2022). “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal. Ph.D. thesis, Columbia University, New York.
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de Alcântara, M. O. (2022). Mídia, violência e subjetivação: uma abordagem discursiva das representações do punk no Correio Braziliense. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 267–297). São Paulo: Pimenta Cultural.
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Dinali, W. (2022). Uma aliança: a morte... ...uma bricolagem morte/vida/vida/morte e e e. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 381–393). São Paulo: Pimenta Cultural.
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