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Gregof, N. (2022). ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA. Metal de Habla Hispana, 1, 118–121.
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Gutiérrez, J. C. (2022). Imágenes Reflejo del Ajayu del Under Boliviano. In R. Tapia, & B. Mendoza (Eds.), El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano (pp. 201–242). La Paz: Ediciones Jichha.
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Hann, M. (2022). Denim and Leather: The Rise and Fall of the NWOBHM. New York: Bazillion Points.
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Hannan, C. C. (2022). Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”. Music Theory Online, 28(1), s.p.
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Herbst, J. - P. (2022). “Keeper of the Seven Keys”: Audio heritage in metal music production. Metal Music Studies, 8(1), 109–126.
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Herbst, J. - P., & Mynett, M. (2022). What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers. Popular Music and Society, t.b.c., t.b.c.
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Herbst, J. - P., & Mynett, M. (2022). Toward a Systematic Understanding of “Heaviness” in Metal Music Production. Rock Music Studies, t.b.c..
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Hernández Parra, S. I. (2022). “NO SOMOS CHAPULINES”. LA ESTIGMATIZACIÓN DE LA PRÁCTICA MUSICAL METAL COMO VIOLENTA A FINALES DEL SIGLO XX EN COSTA RICA. Metal de Habla Hispana, 1, 67–73.
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Hill, R. L. (2022). When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music. Samples. Open Access Journal for Popular Music Studies, 20, 197–210.
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Hudson, S. S. (2022). Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music. Music Theory Spectrum, 44(1), s.p.
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