Addergebroed. (2024). Addergebroed Book II: 2021 – 2024. Zwijndrecht, Belgium: Addergebroed; Consouling Sounds; Amor fati Productions.
Abstract: << Addergebroed’s second book features more than 25 exclusive and in-depth interviews in English with artists like Aerdryk & Oerheks – Alex Poole – Askeregn – Beyond Man – Bloodthorn – Circle of Ouroborus – Erzfeynd – Eternity – Faceless Entity – Gärgäntuäh & Udegste – Haunted by Ill Angels – Helleruin – Krieg – Krvna – Lamp of Murmuur – Lord Valtgryftåke – Mactätus – Marthyrium – Mons Veneris – Nartvind – Naxen – Qrixkuor – Svartsyn – Troll – Vemod – Ymir
Publication in conspiracy with Consouling Sounds & Amor fati Productions.
Design & lay-out by Luchtrat.
Release date: 14th of October 2024 >>
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Aguilar Mirandas, J. N. (2024). La presencia de las chicas en la escena hardcore punk cochabambino. In M. Saavedra, & R. Tapia (Eds.), La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano (pp. 209–226). Special Issue of Perspectivas y Resistencias Musicales 2 (2).
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al-Soukkary, W. (2024). Egypt’s folk devils? Metal music as a pious alternative for Egyptian metal fans. Metal Music Studies, 10(3), 183–200.
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Apaza Terceros, C. J.(J.). (2024). Chicas heavies: La mujer músico en el metal boliviano. In M. Saavedra, & R. Tapia (Eds.), La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano (pp. 99–134). Special Issue of Perspectivas y Resistencias Musicales 2 (2).
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Arias, R. (2024). La conexión ancestral en el arte visual del rock-metal boliviano. In R. Tapia (Ed.), Indigenismo, Fusión y Folk Metal en Bolivia (pp. 157–170). Special Issue of Perspectivas y Resistencias Musicales 2 (1).
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Asbury, L. W. (2024). Indigenous Metal: Rage, Rejects, and the Reconstruction ofIndigenous Metal: Rage, Rejects, and the Reconstruction of CultureCulture. Master's thesis, University of San Francisco, San Francisco.
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Banchs, E. (2024). When the Steel City paused: Pittsburgh’s metal scene confronts COVID-19. Metal Music Studies, 2(2), 91–103.
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Bardine, B., & Stueart, J. (2024). How metal scenes dealt with the pandemic: An introduction. Metal Music Studies, 10(2), 85–90.
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Barron, L. (2024). Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth. Fashion, Style & Popular Culture, Online first.
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Beach, J., R., & Naron, B. L. (2024). Beyond the Black: The Story of Metal Church. Puyallup, WA: NW Metalworx Music.
Abstract: "SYNOPSIS:
This book from NW Metalworx Books by author James R. Beach and co-author and archivist Brian L. Naron. Culled from extensive research, interviews with both past and current band members, crew members, producers, managers, friends, peers and others. Includes numerous rare images and photos, extensive concert listings, discography and a brand new forward by former Grim Reaper guitarist and friend Nick Bowcott."
“NW METALWORX MUSIC is a company formed by three northwest fans of the music scene (James R. Beach, Brian Naron and J.D. Sutton) who grew up there. We are reissuing and issuing LPs of great NW Heavy Metal and Hard Rock bands from the 70s – 90s along with a comprehensive book on the history of the scene.”
(Source: https://nwmetalworxmusic.com)
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