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Beckmayer, S. (2024). “Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal. Praktische Theologie, 59(1), 58–65.
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Benard, C. (2024). Who Listens to “Metal for Girls”? Metal, Orchestra and Female Voices: Measuring the Reception of Symphonic Metal in France, Between Middle Class and Gender. In G. Guibert, & R. Garbaye (Eds.), Musical Scenes and Social Class. Debating Punk and Metal (pp. 211–234). Cham: Palgrave Macmillan.
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Bosselmann-Ruickbie, A. (2024). Queen of All Cities: Echoes of Constantinople in Heavy Metal Music. In H. Rudolf Velten, & T. Specht (Eds.), Mittelalter und Populärkultur: Rezeption, Aneignung, Beachtung (pp. 161–192). Bielefeld, Germany: transcript.
Abstract: For entire book (from De Gruyter):
<< An keiner anderen historischen Epoche scheint die gegenwärtige Populärkultur so interessiert wie am Mittelalter. In Fantasyromanen, Filmen, Serien, Spielen und Musik wird ein Mittelalter inszeniert, das nicht historisch oder wissenschaftlich akkurat, sondern populär sein möchte. Das schafft Raum für ästhetische und politische Transformationen in der Aneignung mittelalterlicher Stoffe und Motive. Beispiele dafür sind u.a. die Artus- und Gralsmythen oder die Wikinger. Die Beiträger*innen analysieren unter dem Leitbegriff des »Neomediävalen« (Umberto Eco) Anspruch und Funktion der aktuellen populären Mittelalterrezeption – medienübergreifend und unter Berücksichtigung verschiedener Formen der Ausgestaltung. >>
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Brown, A. R. (2024). Resistance Through Music: Exploring the Role of Class Fraction Appropriations and Alliances in the Subcultural Formation of Heavy Metal, Classic, Post and Present. In R. Garbaye, & G. Guibert (Eds.), Musical Scenes and Social Class. Debating Punk and Metal (pp. 17–41). Cham: Palgrave Macmillan.
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Brown, A. R. (Ed.). (2024). Who Do We Think They Are? Deep Purple and Metal Studies. Equinox.
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Bukszpan, D. (2024). Rush at 50. London; New York City; Hong Kong: Motorbooks, an imprint of The Quarto Group.
Abstract: << A beautifully produced, photo-packed celebration of the beloved rock trio, Rush at 50 examines the history of the Canadian rockers through the lens of 50 milestone events and an illustrated gatefold timeline.
Formed in Toronto in 1968, Rush became one of the most popular and best-selling bands in rock history, thanks to their tireless effort and imaginative, ever-evolving music. This richly illustrated and entertainingly written book from Rush expert and music journalist Dan Bukszpan pays tribute to the trio on the 50th anniversary of their debut album by curating and examining 50 of the most significant milestones in their career.
Bukszpan covers everything down through the decades:
– The band’s formation by bassist Geddy Lee and guitarist Alex Lifeson in suburban Toronto and their early gigs and tours opening for the likes of Kiss;
– Their breakthrough in the United States thanks to a Cleveland DJ;
– The role of co-founding drummer John Rutsey;
– Rush’s early Led Zeppelin–influenced efforts and their breakthrough, 2112;
– The band’s ever-evolving musical style through the 1970s and 1980s;
– The controversial influence of novelist Ayn Rand on Neil Peart’s lyrics;
– Geddy Lee’s instantly recognizable vocal style;
– Recording sessions with various producers in Wales, Quebec, and elsewhere
In examining 50 touchstones, Buszpan presents a unique look at Rush’s career arc from Toronto bar band to international mega-platinum stadium fillers. Every page is illustrated with stunning concert and candid offstage photography, including gig posters, 7-inch picture sleeves, ticket stubs, and more.
The result is an epic tribute to one of the most influential and admired bands in rock history—in a milestone year. >>
(SOURCE: https://www.amazon.com/gp/product/076038715X )
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Calvo, M. B. (2024). El metal en Argentina: disputas espacio-temporales de una escena musical. DEBATS, 138(1), 77–91.
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Calvo, M. B. (2024). Metal Music in Argentina: Debates in Place and Time about a Music Scene. DEBATS, Annual review(9), 83–95.
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Camacho Adames, I. N. (2024). Rock y Metal con las uñas: Transsubjetividades féminas estridentes desde Latinoamérica. Ph.D. thesis, University of Kansas, Lawrence.
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Cárdenas Azuaje, D. M., & Cuchivague, K. O., Karen. (2024). El arte del ruido: el discurso visual sobre las mujeres en algunas carátulas de discos de metal colombiano. Contrapulso, 6(2), 57–73.
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