Jamshid, J., & Patterson, D. (2024). Petrified: Under the Full Moon. Cornwall, United Kingdom: Cult Never Dies.
Abstract: << Released in hardback format by publishing house Cult Never Dies.
PETRIFIED fanzine was, alongside with Norway's Slayer Mag, arguably the most iconic and significant black metal fanzines of the early to mid 90s, created in the midst of the genre's most pivotal and controversial years.
Created by Jon ‘Thorns’ Jamshid of the equally notable Fullmoon Productions, it featured now (in)famous interviews with such milestone artists as SAMAEL, NECROMANTIA, EMPEROR, MORTIIS/VOND, VLAD TEPES, GEHENNA, KATATONIA, TORMENTOR, DESASTER, BURZUM, MARDUK, COVENANT, DARK FUNERAL, MYSTICUM, FALKENBACH, CULTUS SANGUINE, LIMBONIC ART, BEHEMOTH, SWORDMASTER, HELHEIM, SORHIN, BLACK FUNERAL, THY SERPENT, MONUMENTUM, DECEMBER WOLVES, DARKWOODS MY BETROTHED, NAGLFAR, ABIGOR, ANCIENT, PRIMORDIAL and many more.
This new tome collects all issues of PETRIFIED and MOONLIGHT zines, a wealth of unpublished interviews and photos, as well as the full story of the fanzine and record label that released works by such groundbreaking artists such as MYSTICUM, HADES, ABRUPTUM, BLACK FUNERAL, CONQUEROR, BLACK WITCHERY, CONQUEROR, VELVET CACOON and NIGHTBRINGER. >>
(Source: cult never dies website)
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Jiggens, R., & Shadrack, J. H. (2024). Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 38–51). Bristol: Intellect.
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Jingyao Ren, & Jian Lu. (2024). Heavy Metal Music, Hip-Hop Music, and Construction Noise Induces Depressive Symptoms in Mice. ASEAN Journal of Psychiatry, 25(8).
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Jung, L., & Suer, D. (2024). Hard Wired VIII: Methodical Approaches to Music and Dance: Exploring the Field of Heavy Metal and Its Genre Boundaries, hosted by Florian Heesch, Daniel Suer and Franziska Kaufmann, University of Siegen, Siegen, 8–9 September 2022. Metal Music Studies, 10(1), 61–64.
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Juniper, S. (2024). Disabled Drone: Trans-Feminist Noisecraft. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 52–65). Bristol: Intellect.
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Kahn-Harris, K. (2024). The Laws of Metal: A Sociological Perspective. In P. Pichler (Ed.), The Law of the Metal Scene: An Interdisciplinary Discussion (pp. 29–42). Stuttgart: Kohlhammer.
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Limber, F. (2024). Ukhamawa jakawisaxa. In R. Tapia (Ed.), Indigenismo, Fusión y Folk Metal en Bolivia (pp. 197–206). Special Issue of Perspectivas y Resistencias Musicales 2 (1).
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Linde, J. - M. (2024). “When all the bad times stick”: Exploring expressions of negativity and anxiety in metal music.
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Lizardo, O. (2024). From Macrogenres to microgenres via relationality. Poetics, 102.
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Lliulli, M. Á. (2024). El Rock Metal como factor reivindicador indígena. In R. Tapia (Ed.), Indigenismo, Fusión y Folk Metal en Bolivia (pp. 53–74). Special Issue of Perspectivas y Resistencias Musicales 2 (1).
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