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Lliulli, M. Á. (2024). Panorama general del folk metal en Latinoamérica y en Bolivia. In R. Tapia (Ed.), Indigenismo, Fusión y Folk Metal en Bolivia (pp. 171–196). Special Issue of Perspectivas y Resistencias Musicales 2 (1).
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Lux, M., & Herbst, J. - P. (2024). From analogue to algorithm: How private production reshaped metal aesthetics. Metal Music Studies, 10(3), 249–274.
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Mechelinck, G. (2024). Underground Akkoorden: LGBTQ+ fans in Vlaamse Metal- en Hardrockgemeenschappen [Underground Accords: LGBTQIA+ Fans in Flemish Metal and Hard Rock Communities]. Master's thesis, Universiteit Gent, Ghent.
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Medeiros, B. (2024). “Uma coisa que tentamos fazer por nós”: festival e resistência feminina na cena underground brasileira. Contrapulso, 6(2), 26–40.
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Medeiros, B. (2024). Voces subversivas: género, resistencia y transformación en la escena metalera boliviana. In M. Saavedra, & R. Tapia (Eds.), La fuerza, influencia y tensiones de las mujeres del underground/metal boliviano (pp. 13–25). Special Issue of Perspectivas y Resistencias Musicales 2 (2).
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Medeiros, B., Calvo, M. B., & Silva, M. A. dos S. (2024). Dossiê | Entre riffs e rebeliões: a presença feminina e queer no heavy metal sulamericano. Contrapulso, 6(2), 4–10.
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Mendoza, B. (2024). La “integración” como concepto musical en el rock-metal. In R. Tapia (Ed.), Indigenismo, Fusión y Folk Metal en Bolivia (pp. 119–1156). Special Issue of Perspectivas y Resistencias Musicales 2 (1).
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Messick, K. J. (2024). The Psychology of Metal Music, Culture, and Dis/ability. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 66–79). Bristol: Intellect.
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Messick, K. J., Agcaoili, D., Drane, H., & Taylor, H. (2024). Are heavy metal fans sexist? The relationship between metal music depicting misogynistic violence and sexism. Metal Music Studies, 10(1), 41–60.
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Milazzo, A. (Ed.). (2024). Ripping Tongues: Metal for Free Speech, Free Thought, and Free Expression (Revised edition). Sevenoaks, Kent, U.K.: Heavy Music Artwork.
Abstract: << In Ripping Tongues, Metal for Free Speech, Free Thought, and Free Expression, over a thousand bands and visual artists from every corner of the world come together to explore one of the most crucial and timely issues of our age: the freedom to express, create, and critique without restriction.
This comprehensive collection captures the raw and unfiltered insights of 905 bands and 95 artists from 27 countries across 79 countries. Through interviews conducted over three years, we’ve brought together perspectives from legendary acts like Opeth, Kataklysm, Amorphis, and Sonata Arctica, as well as genre-shaping groups such as Finntroll, Powerwolf, and Moonspell, each with their own take on why artistic freedom is the lifeblood of heavy metal and other uncompromising forms of art. >>
SOURCE:
https://heavymusicartwork.com/products/ripping-tongues
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