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Beckmayer, S. (2024). “Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal. Praktische Theologie, 59(1), 58–65.
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Radovanović, B. (2024). “Surrender is not an option”: Answers of the Serbian metal scene to the COVID-19 crisis. Metal Music Studies, 10(2), 105–121.
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Reinhardt, J. T. (2024). “To Rise Beyond Jesus”: Heavy Metal as Anti-theological Protest. In H. M. Altman, & J. H. Harwell (Eds.), Theology and Protest Music (pp. 129–164). Lanham: Lexington Books; Fortress Academic.
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Clinton, E., & Wallach, J. (2024). “United We Never Shall Fall”: Metal and Disability. In J. H. Shadrack, & K. Kahn Harris (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 9–22). Bristol: Intellect.
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Varas-Díaz, N., Araújo, D. N., & Miranda, D. L. (2024). A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling. In D. Castillo, & B. Nelson (Eds.), HIOL: Hispanic Issues On Line (Vol. 32, 102–26). HIOL: Hispanic Issues On Line, 32. Minneapolis, Minnesota: University of Minnesota, College of Liberal Arts.
Abstract: “Hispanic Issues On Line (HIOL) is a refereed, open-access scholarly electronic series founded in 2006 and devoted to the study of Hispanic and Lusophone cultures. HIOL is stored at the University of Minnesota's Digital Conservancy as well as the LOCKSS system, which ensures preservation at worldwide research libraries.”
Source: https://cla.umn.edu/hispanic-issues/online-volumes
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